(An update on last weekend at the Bulverde Fall Market. This weekend, we’ll be in Fredericksburg for a private book-club meeting on Monday afternoon – but on Tuesday morning at 10 I’ll be in the parking lot of the Visitor’s Center on Austin Street behind the Museum of the Pacific War, to lead a walking tour of Fredericksburg places which feature in the Adelsverein Trilogy.)

My daughter and I spent almost all of last Saturday at our booth in the parking lot of a local Beall’s, in the heart of what would pass as the new downtown of Bulverde, Texas – if Bulverde could be said to have a downtown of any sort. There is a sort of Old Downtown Bulverde, at the crossroads of Bulverde Hills Drive and Bulverde Road, where the post office is (in a teeny Victorian cottage covered with white-painted gingerbread trim) and around the corner from one of the original settler’s farmsteads, complete with an original stone house and barn – now repurposed into an event venue. There is a small airfield nearby, and astonishingly enough, Googlemaps show a polo ground. But the landscape all around is that of the lowland Hill Country – low rolling, patched scrubby cedar, and occasional stands of live oaks. Everything – including a perfectly astounding number of single family housing developments are scattered unobtrusively here and there among the hills, the cedar and the oaks.

This includes New Downtown Bulverde, not quite so unobtrusive, and a few miles farther north at the intersection of Hwy. 281 and FM-46 West. This is where is where the schools are, as well as the fire department – newly built and lavish, the shopping center with a huge HEB Superstore. Bulverde is what my daughter terms as one of San Antonio’s bedroom slippers – once distant and separate communities now in commutable distance from the big city. The other bedroom slipper is Boerne, which boasts a more definable, scenic and historic downtown. Physical evidence of a wealthy yuppie demographic contingent is strong in Boerne – wineries, gourmet grocery stores, chichi designer boutiques retailing everything from country furniture, clothing, jewelry, baked goods and coffee – not so much in Bulverde. Boerne has a monthly community market; Bulverde has them twice yearly, spring and fall. Boerne’s is on the historic downtown public square, or what our readers in England might call a common – a half-acre square of lawn, edged with mature pecan trees and adorned with a Victorian-style bandstand. Bulverde’s community market is – as said – in the parking lot of Beall’s, in New Downtown Bulverde and organized by the Bulverde/Spring Branch Chamber of Commerce. A friend of ours, who was part of the planning committee, told us that every single slot was filled – all 135 of them, a substantial increase over the spring market in May. But of course, Christmas is coming.

Our day began at 5:30. Not to beg any pity over that, but we did have to eat breakfast, scroll though our regular news sites and email accounts, walk the dogs and water the garden, before pulling out for the half-hour drive to Bulverde. We had already packed Blondie’s Montero SUV the night before; the pop-up pavilion, the necessary weights for it, the tables, folding chairs, the necessary racks and display items – and of course, the plastic tubs with all the stock; my books, her origami art. Blondie calls this exercise ‘Automobile Tetris’ – packing in everything which we will need. The bulkiest item is the wheeled rack to display her origami earrings – a repurposed and repainted soft-drink rack. The heaviest is the pop-up pavilion, which takes both of us to carry – and to put up. We had to be set up and ready to go before 10:00, when the market opened – and hopefully before then, for the Montero had to be out of the way and parked in the designated vendor lot. Having the pavilion, the chairs and the tables saves us a fair amount of money – some other market venues offer them for rent for vendors. The practice is for regular vendors to have all their own market furniture – not just the pavilion and tables, but things like display racks and signage – and a trailer to haul it all around. One little local boutique maintains a vintage Airstream trailer as their portable premise. Many of the regular stalls in local markets are run by hobbyists who have a full-time regular job and do gypsy-retail on weekends; artists in metal, beadwork, fabric, wood and pottery, small truck farmers and producers of small-batch soaps, candles and skin-care products, or artisan gourmet foods. Sometimes they scale up to a permanent location, or already have a permanent location and do the local markets to build awareness of their products. Our immediate neighbors, by the way, were a crafter who did bead jewelry (we remembered her from the spring market) and Miss Scarlett’s Farm – organic produce. Which was quite good, and reasonably priced, too; Miss Scarlett’s owners are a young couple with a two-acre plot in rural Bulverde, where they intensely cultivate a wide variety of vegetables – and bees. We came away with half a dozen yellow squash and zucchini; he runs the farm, she does the weekly markets.

Blondie has a unique inventory – origami paper jewelry. She does mostly earrings; miniscule cranes and tulip flowers, which astound people for their tiny size, with a side-line in hair ornaments, pins and magnets. The crane earrings were a particular hit at this market, since they are priced to be readily affordable, and in practically every imaginable color. There was a lot of foot traffic, pleasingly constant for all the six hours that the market was open. That there was a good retail turnout is reassuring, in the light of current events. The day was fair, clear and warm, with a regular cool breeze that beat back the heat until about 3:00. Blondie had more sales than I did, dollar-wise, but many people took away information about my books – another thing to keep in mind for something like this: business cards and postcards. Quite often, there is an uptick of sales of my books on Amazon in the week or so following an event, from having handed out information. For both of us, the more that we are out and about at the markets – the more shoppers know about us. This is much more important for Blondie, since it may be harder to sell her origami items where people can’t actually look at and handle them in real time. I had a nice time, and several nice talks with readers; especially with a young student, all of eleven years old named Lorena, who picked out To Truckee’s Trail when I said it was the book of mine most suited for her age – although Lone Star Sons is intended as YA, it’s not available until mid-month and the only copy I have was for display.

The last hour of a market usually drags; the numbers of shoppers begin to drop, and while the vendors are committed by agreement with whoever is managing the market to stick around until the official closing, there is usually some surreptitious packing-up going on leading up to that point. Everyone is tired, bored as the crowds diminish, and more than ready to pack up and go home. The Chamber asked that we take down and pack up completely before bringing our cars and trucks into the area, which is a reasonable request – the gridlock is horrific, otherwise. We had everything broken down and packed in the Montero in twenty-five minutes, and were dropping with exhaustion by the time we got home. We’ll be doing this or something like it almost every weekend until mid-December – Ebola, or not.

Ok, so the look-inside feature isn’t bolted on yet, but the Adelsverein Complete Trilogy has gone live at Amazon and Barnes & Noble, as of yesterday – and in Kindle and Nook editions. Now that it’s well-launched, I’m back to the next two projects: the sequel to Daughter of Texas – which will be called Deep in the Heart and be ready for launch at the New Braunfels Weihnachtsmarkt, which will be held at the end of November. And just in case there is not quite enough to on all of that, Watercress Press is going to do a second print edition of To Truckee’s Trail . . . which I have wanted to do, both because it would be at Watercress and at a slightly lower retail price than previously . . . and because I had found out from a descendent of one of the real-life people that I wrote about – that he had actually been to California two decades before crossing the Sierra Nevada with the Stephens-Townsend Party in 1844. The character of Old Man Hitchcock, the mountain man and fur-trapper was painted as an entertaining teller of tall tales . . . but in this one instance he had been telling the absolute truth. So – the second edition in print will be out by mid-October. And one last thing – I’ve been asked, in person and via email, if there wasn’t a way to have the Adelsverein Trilogy translated into a German edition, as there would be a terrific audience among all those Karl May fans, who absolutely eat up anything to do with adventures in the 19th century American west. Anyone know anyone in the literary agent world who pitches to German-language publishers, and wants to negotiate rights to a German translation of the Trilogy? Any agent looking to explore that option would make out like a bandit, even at 15%. Fortunes in the book-world these days favor the nimble. It may be a bit of a niche market relative to American publishing – but owning a large chunk of a niche market is not bad.

He really wore  a black hat, this particular villain; he was known and recognized throughout the district around Fredericksburg and the German settlements in Gillespie County – by his fine, black beaver hat. Which was not furry, as people might tend to picture immediately – but made of felt, felt manufactured from the hair scraped from beaver pelts. This had been the fashion early in the 19th century, and made a fortune for those who sent trappers and mountain-men into the far, far west, hunting and trapping beaver. The fashion changed – and the far-west fur trade collapsed, but I imagine that fine hats were still made from beaver felt. And J.P. Waldrip was so well-known by his hat that he was buried with it.

 There is not very much more known about him, for certain. I resorted to making up a good few things, in making him the malevolent presence that he is in The Adelsverein Trilogy – a psychopath with odd-colored eyes, a shifty character, suspected of horse-thievery and worse. I had found a couple of brief and relatively unsubstantiated references to him as a rancher in the Hill Country, before the Civil War, of no fixed and definite address.  That was the frontier, the edge of the white man’s civilization. Generally the people who lived there eked out a hardscrabble existence as subsistence farmers, running small herds of near-wild cattle. There was a scattering of towns – mostly founded by the German settlers who filled up Gillespie   the late 1840s, and spilling over into Kendall and Kerr counties. The German settlers, as I have written elsewhere, brought their culture with them, for many were educated, with artistic tastes and sensibilities which contrasted oddly with the comparative crudity of the frontier. They were also Unionists, and abolitionists in a Confederate state when the Civil War began – and strongly disinclined to either join the Confederate Army, or take loyalty oaths to a civil authority that they detested. Within a short time, those German settlers were seen as traitors, disloyal to the Southern Cause, and rebellious against the rebellion. They paid a price for that; martial law imposed on the Hill Country, and the scourge of the hangerbande, the Hanging Band. The Hanging Band was a pro-Confederate lynch gang, which operated at the edges of martial  and perhaps with encouragement of local military authorities.

J.P. Waldrip was undoubtedly one of them – in some documents he is described as a captain, but whether that was a real military rank, or a courtesy title given to someone who raised a company for some defensive or offensive purpose remains somewhat vague.  None the less, he was an active leader among those who raided the settlements along Grape Creek, shooting one man and hanging three others – all German settlers, all of them of Unionist sympathies. One man owned a fine horse herd, another was known to have money, and the other two had been involved in a land dispute with pro-Confederate neighbors. Waldrip was also recognized as being with a group of men who kidnapped Fredericksburg’s schoolteacher, Louis Scheutze, from his own house in the middle of town, and took him away into the night. He was found hanged, two days later – his apparent crime being to have objected to how the authorities had handled the murders of the men from Grape Creek. It was later said bitterly, that the Hanging Band had killed more white men in the Hill Country during the Civil War than raiding Indians ever did, before, during and afterwards.

And two years after the war ended, J.P. Waldrip appeared in Fredericksburg. No one at this date can give a reason why, when he was hated so passionately throughout the district, as a murderer, as a cruel and lawless man. He must have known this, known that his life might be at risk, even if the war was over. This was the frontier, where even the law-abiding and generally cultured German settlers went armed. Why did he think he might have nothing to fear? Local Fredericksburg historians that I put this question to replied that he was brazen, a bully – he might have thought no one would dare lift a hand against him, if he swaggered into town. Even though the Confederacy had lost the war, and Texas was under a Reconstruction government sympathetic to the formerly persecuted Unionists – what if he saw it as a dare, a spit in the eye? Here I am – what are y’all going to do about it?

What happened next has been a local mystery ever since, although I – and the other historical enthusiasts are certain that most everyone in town knew very well who killed J.P. Waldrip.  He was shot dead, and fell under a tree at the edge of the Nimitz Hotel property. The tree still exists, although the details of the story vary considerably: he was seen going into the hotel, and came out to smoke a quiet cigarette under the tree. No, the shooter saw him going towards the hotel stable, perhaps to steal a horse. No, he was being pursued by men of the town, after the sheriff had passed the word that he was an outlaw, and that anyone killing him would face no prosecution from the law. Waldrip was shot by a sniper, from the cobbler’s shop across Magazine Street — no, he was shot from the upper floor of another building, diagonally across Main Street. He was felled by a single bullet and died instantly, or was shot many times and lived long enough to plead “Please don’t shoot me any more”. I have created yet another rationale for his presence, and still another dramatic story of his end under the oak tree next to the Nimitz Hotel. I have a feeling this version will, over time be added to the rest. Everyone who knew the truth about who shot Waldrip, why he came back to town, how the town was roused against him, and what happened afterwards, all those people took the knowledge of those matters to their own graves, save for tantalizing hints left here and there for the rest of us to find. The whole matter about the two men who may have actually fired the shot — or shots —  was kept secret for decades, for fear of reprisals from those of his friends and kin who had survived the war. This was Texas, after all, where feuds and range wars went on for generations.

 So James P. Waldrip was buried – with his hat – first in a temporary grave, not in the town cemetery – and then moved to a secret and ignominious grave on private property. The story is given so that none of his many enemies might be tempted to desecrate it, but I think rather to make his ostracism plain and unmistakable, in the community which he and his gang had persecuted.