Literary Imagination

17. May 2024 · 2 comments · Categories: Random Book and Media Musings

The matter of a certain literary style and practice came up a couple of months ago – and I was reminded again of the discussion in a weird way, when my daughter and I watched the Night at the Museum movie series. This was in the interests of not freaking out Wee Jamie terribly, who is soaking up information and stimuli like a small, child-shaped sponge. I vaguely recall watching the first of the series, but my daughter did not, so I must have seen it in a theater, possibly when the Gentleman With Whom I (Once) Kept Company was on one of his yearly visits to Texas. Cute movie, and one which loaded in a lot of established actors in supporting roles (Ricky Gervais? Seriously?) …but anyway. (It is kind of cool, though – imagining an animated dinosaur skeleton playing ‘fetch’ the bone, and behaving like a playful puppy…)

The museum of the initial movie setting reminded me of an elementary school field trip to the Los Angeles County Museum of Natural History in Exposition Park, which also covered the La Brea Tar Pits, with all the life-sized landscaped dioramas, and the stuffed critters, mounted dinosaur bones and the remains of paleolithic critters excavated from the tar pits… all terribly retro and rather quaint, actually. There’s a natural history museum here in the old upscale part of San Antonio, the Witte Museum, with pretty much the same sort of exhibits, established around the same period, now with the addition of lighting and sound effects.

In any event, I began to think on how these kinds of exhibits became so very popular in the 19th century: I mean, the showman P. T. Barnum started with his exhibit of natural curiosities, scientific exhibits, wonders, and marvels early on. People flocked to see them in the flesh, and twice natural size – because most ordinary people didn’t often see extraordinary things; dinosaur bones, ancient Eqyptian temples, statues of Greek gods and goddesses, African elephants … such were curiosities, and rare ones at that. So going to P. T. Barnum’s flamboyant exhibits, and later on to more staid and scholarly local museums of natural history – well, there they were; all the exotic natural history and fabled creatures that you could wish to see, before movies and television brought them to us in living color in theater and living room.

On one of the book/author blogs which I follow (can’t recall which one or when, or even if it is an original insight!) another writer made what I realized immediately was a perceptive observation, regarding those verbally florid Victorian novelists who went on for pages and pages, describing scenes, settings and characters. Modern readers find this terribly frustrating, as this tendency bogs down the plot something awful. The reason Victorian authors did so was because most of their readers then had no mental archive of visual references to build on! When someone like Sir Walter Scott wrote about medieval Perth, or Dumas wrote about Renaissance France, or Lew Wallace about the Roman-era Holy Land, they were setting the necessary scene for readers in necessary and exacting detail for a reader who perhaps might at best have seen a crude black and white line drawing, or a hand-colored lithograph of a castle, Jerusalem, or the skyline of Paris. There was nothing in the 19th century reader’s visual vocabulary anything like what movies, television, even color photographs in glossy coffee-table books provide modern readers. We have the advantage of already having those visuals in mind, and don’t need to have them spelled out at length.

 

The Author I walked Away From

27. February 2024 · 3 comments · Categories: Memoir, Random Book and Media Musings

You know, there have always been genres in books and authors that I just didn’t particularly care for – horror, mostly. I have a vivid imagination and a low-gross-out threshold. There are images that I just don’t want in my head, ever. Never really got into suspense, espionage, vampires, or ultra-violent adventure. But mystery, science fiction, historical fiction were all OK – perfectly my cup of tea, as long as there wasn’t explicit gore or mind-boggling graphic violence of any kind, including the sexual, or the sudden inexplicable random deaths of characters that I had gotten to be rather fond of. (Which puts GRR Martin right out. It’s not really good form to do this repeatedly and presumably with malice and an apparent need to kick your readers in the teeth. I have killed a couple of very appealing characters in two separate books, but it was planned so from the beginning and not casually or without regret over the necessity.)

There are other authors who had particularly rackety, disorganized and disreputable lives, with personal hobbies or vices not especially recommended. I could take their books or leave them alone on that basis. There are plenty of writers who apparently and for various reasons are or were eminently dislikable in their personal lives, but to each their own. I honestly didn’t care about private lives or political leanings of writers that I did enjoy reading but in all my reading life I have only personally banned one author from ever reading their books again. I went to the extent of collecting up all those books that I had by her and binning or donating them: Marion Zimmer Bradley, who wrote book after book of science fiction/adventure/fantasy set on a far distant dark world in the space-traveling future, as well some historical fiction. (A rundown of the whole child-abuse controversy is here,)

I picked up one of her books – Thendara House, if memory serves, at the Stars and Stripes bookstore at Hellenikon AB – and pretty much devoured that, and as many of the other Darkover series as I could find. I had enjoyed the heck out of the Darkover series, which I came into after serving a tour of duty in Greenland, at a forlorn, ice-bound air base thirty miles north of the Arctic Circle. After that year in Greenland, I could seriously relate to earth-accustomed service personnel sent to spend a tour on a cold, isolated planet with a red sun, four moons, and a dark sky. I had lived it, after all. So I read them all, buying by mail-order, or as they appeared at various bookstores. She wrote fearless, independent, and adventurous female protagonists, and by repute was quite the feminist among pop science fiction writers, as well as being extremely encouraging to other female writers. It was to the point where I even wrote a short story for one of her anthologies, during that period when MZB was inviting other writers to ‘romp in her Darkover playground’. Alas, by the time I submitted it, she or whoever was assembling those anthologies had second thoughts. All I got for the trouble taken was a rejection notice, accompanied by a vaguely threatening letter advising me not to violate her copyrights by publishing anything which impinged in any way, shape or form on the Darkover universe. Pity – it was a good story, too, and an interesting and kick-ass main character … I still have it someplace, that and the two follow-on sci-fi adventures that I started writing in longhand before being diverted by other concerns. Like having to earn a living, post Air Force.

When the whole sordid tale of MZB, the abuse of her children and her pedophile late husband came out – and it turned out that it all had been common knowledge in a circle of fans and intimates, it poisoned every shred of enjoyment I had taken in the books – especially in brief interludes where sexual violence came into the plot, most notably where children were involved in such violence.  My daughter confessed much later that she wished that I had forbidden her to read The Firebrand, as a young girl is raped to death after the fall of Troy. After reading about MZB’s treatment of her daughter, and the blind eye or enablement she provided her husband, I just couldn’t even look at her books on my shelf or read them without being reminded. So, into a box, and stashed under the bed. After one of the cats scratched a cozy nest for himself in the top layer, I wound up tossing the ruined books and dropping off the rest of them at Goodwill. I’ve never felt any urge to read them again. It probably was fortunate that the story I sent in for the Darkover anthology was just too late for the game.

Back in the Swing…

15. February 2024 · Comments Off on Back in the Swing… · Categories: Domestic, Random Book and Media Musings

… in the swing of things, generally. The current crud, seasonal flu, heavy pollen allergies, new COVID variant or whatever – or a combination of all of these – laid my household low for the last week. First my daughter, who was exposed to the mold, dust and assorted animal-dropping crud inside a derelict house that her investor clients were interested in purchasing and gutting. She was recovering from the massive affront to her immune system, when Wee Jamie began running a temperature high enough to be of concern. Pronounced by the pediatrician to be not in any danger, he recovered in a day and a half … and then I fell in turn. Fortunately, a lot of daytime sleeping and rounds of Theraflu knocked back the worst of whatever – but I had a seriously reduced interest in doing very much at all over the last week, beyond walking the dogs around the block, checking various blogs, answering email, and crawling back into bed.

The YA pioneer trail adventure is chugging along, though – I’m doing some refresher reading for it. Another commenter on regular weekend book post that I participate in recommended the Lockley collection, and I sent away for two volumes of the Lockley Papers. Fred Lockley was a turn of the last century writer and local news reporter in Oregon; he had a practice of interviewing as many of the old pioneers as he could corner and setting down their unvarnished reminiscences about the trail and the early days. The Lockley archive ran to thousands of interviews of first-hand recollections of all kinds of people, many of them children or teenagers at the time of the events related. It’s basically the same sort of goldmine for researchers as was J. Marvin Hunter’s collection of interviews of Texas trail-drivers; both men were from the same generation and had the same background in newspaper reporting. I’m also reading some of the Lockley volumes to get a sense of the archaic voice and vocabulary of the time.

It wasn’t all skittles and beer, either – several of the accounts were from surviving sisters of the Sager family – seven brothers and sisters, the smallest a newborn infant, whose parents both died on the trail. The Sagers were adopted by Oregon missionaries Narcissa and Marcus Whitman – and orphaned again several years later when the Whitmans were murdered by Indians angered by Dr. Whitman’s inability to save their people from an epidemic of measles which were ravaging the local tribe. Another woman related the murder of her father and three small younger brothers in another Indian uprising. Later, her mother was murdered by two white men who were convinced that her mother had some money hidden away and tried to force her to reveal the hiding place. Yep – trauma galore, but only some of this will be part of my narrative; it will be happening to other people, on the fringes of my heroine’s story.

Anyway, this was the first day that I felt up to working on a project; it wasn’t a book project, I regret to say, although it was at least as much fun – another miniature scene, this one of a garage, full of tools and car parts, and advertising for various automotive products. A fun build, and very much outside the usual project of this kind, which more usually runs to twee little bookstores, coffee shops and homey kitchens. And so – now that it is done, after a day and a half of fitting, gluing, sanding and painting – back to the book projects.

The Next Book Project

29. January 2024 · 4 comments · Categories: Old West, Random Book and Media Musings, Uncategorized

So, it’s come to me having to think about the next book project. We’re going to wrap up the Luna City chronicles in the next few months, although I will likely go and do a kid’s adventure series featuring some of the characters as children in the 20s and 30s. I think I can probably do one more collection of Jim Reade and Toby Shaw adventures in the time of the Republic of Texas. Likely, I could do one more adventure with the ancestors of the Vining and Becker families during the Revolution, but right now that prospective project seems more like a grim obligation to fill out the series than anything else. A writer has to feel some enthusiasm embarking on a new book project – it also helps if the enthusiasm lasts through the first draft.

In a way, I’m circling back to my very first historical novel – the one which doesn’t have a single thing to do with Texas. But it has proved enduringly popular and is the only one of my books other than the Jim and Toby stories that I can unequivocally recommend to tween and teen readers. I had an idea – to create a wagon-train adventure again, but with a tween protagonist, experiencing a coming-of-age adventure-journey. Perhaps extend the adventure to the initial discovery of gold at Sutter’s mill, and the wild and raucous days in the gold mines where women and intact families were so rare as to be practically an endangered species … I already have most of the necessary references in house, which saves on research time. Another trilogy, perhaps – but each book separate and stand-alone as a separate adventure. Make the series about a close-knit and affectionate family, like the Ingalls family, of the Little House series. That should have the charm of the unusual, given the current trend in YA for flamingly dysfunctional families. Offer adventures which subtly demonstrate the values of courage, accepting responsibility, and problem-solving … yes, I could have fun with this, and make it a good, engaging read – like Harry Potter, although I’ll likely never be able to buy a couple of castles out of my royalty payments. For some peculiar reason, it seems more natural to me to do the story in first person voice. Which can be fun – I can try and model the main character/narrator voice after a combination of Jaimie, from The Travels of Jaimie McPheeters, Huckleberry from Huckleberry Finn and Mattie from True Grit – just make the reading level and vocabulary a bit more comfortable for modern tween and teen readers. So … off we go, on another book adventure!

Misplaced Sarcasm

19. January 2024 · Comments Off on Misplaced Sarcasm · Categories: Domestic, Random Book and Media Musings

One of my occasional internet stops is a group blog featuring analysis of costuming, hair and makeup in a wide range of movies, TV shows and miniseries set in all periods and countries, up to the late 1950s or so. The various contributors have, between them, considerable expertise in aspects of historic costuming, apparently unlimited time, access to the material under consideration, sharp eyes for detail, and a reservoir of snark the size of Lake Michigan. Now and again some of them have gone all out for diversity, inclusion and equity, but not to an absolutely insufferable degree; mildly annoying, but not enough to put me off returning. I have a mild interest in historic costuming, since I do like to dress in period Victorian or Edwardian attire for book events. And the sarcasm is occasional diverting, especially when aimed at badly done costuming, or at a variety of commonly-committed goofs in the genre – things like corsets without any shift underneath, metal grommets in lacing-up garments much before the late 19th century, a tragic lack of hairpins and hats in settings when they would have been required absolutely, zippers up the back of costumes … I’ve occasionally waxed sarcastic about some of these aspects myself.

The other limit to the range of movies considered, besides pre-1950s, is that they don’t ‘do’ war movies, ancient and modern, not having any interest or expertise in uniforms and generally no interest in war movies anyway. Which is a perfectly OK principle to maintain … but just this week, one contributor yielded under protest into watching Band of Brothers because her boyfriend wanted to watch it. Apparently she was so resentful about having to watch that she posted about the experience; just stills of the various actors with a bitter and brief tagline about what their other acting roles had been and a request for judgement on whether she was an a-hole for not relishing the series, as all those white boys looked alike when covered in dirt. Oh, my – the comments on that post were pretty fiery. I’m still working out in my own mind why I was so offended by the flippant dismissal. Likely it’s on the principle of keeping silent if you can’t find anything nice to say. You know – if you and your weblog doesn’t do war movies and don’t know anything about military uniforms, then you just might be better off giving a miss to posting about it all, rather than being spiteful and sarcastic.

But there is a bit more than that; Band of Brothers is an excellent series; the producers took every care to make it as accurate as possible (which at least she gave credit for), and to cast actors who looked as much like their real-life counterparts had appeared at the time. As a dramatic representation of what it was like for the guys of Easy Company in the European Theater 1944-45, Band of Brothers is as good as it ever gets. It just seemed like the blogger/contributor was just dumping on a generation of men because she had to watch a series about them.

I don’t know if I will go back to checking out their posts, after this. I can get my fix of costume design and historical critique at Bernadette Banner and Prior Attire, I think.

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