After watching a BBC-produced version of Sense and Sensibility – I think they were hoping to have a Jane Austen series as popular as the Colin Firth/Jennifer Ehle version of Pride and Prejudice – what turned up in my “Hey, you wanna watch this?” queue was a Kevin Costner movie-series-whatever called Horizon. Looked at least somewhat interesting, being set in the trans-Mississippi old wild west, and he did a marvelous period move in The Highwaymen, and dare we hope for a movie-series-whatever which really went for a deep dive into that fascinating period in American history?

At any rate, I assumed that it must be better than that abysmally awful series Texas Rising, which was so bad that we bailed after watching the first episode, when a woman emerged from the crypt of the Alamo chapel after the fall of the presidio to the Mexican army under Lopez de Santa Anna. The crypt of the Alamo chapel … really? Texas history fans who watched every episode out of a masochistic sense of duty told me that it only got worse from there.

Anyway, I watched all of the first chapter of Horizon. Alas. just like Texas Rising, I am giving up on it after the first installment. Really, nothing at all happened in the last twenty minutes to pull all the various incoherent plot threads and random characters with unexplained motivations together. It was a series of brief, disjointed scenes set in widely-separated locations in the far west – a mining camp in Montana, an unsuccessful settlement called Horizon (whose residents are massacred in the first segment) and a US Army fort in what appears to be Apache country, alternating a wagon train of emigrants along the Santa Fe trail. All this taking place while the Civil War is in full swing, which makes the Apache country location for the settlement and the US Army fort and the Santa Fe emigrant train extremely problematic, as the Confederates and the Union armies were engaged in exchanging hot lead festivities for most of that period. There was also a railway being built through there with Chinese laborers … again, during the Civil War? Construction on the Central Pacific didn’t even begin until after the war. Emigrant wagon trains full of civilians going west along the Santa Fe trail, with a war on? In horse-drawn wagons, which seem to be treated as a kind of RV trailer, instead of being packed high to the covers with supplies, and the emigrants camping in tents at night? Well, OK then. At least I didn’t spot any zippers down the back of women’s costumes, and the ladies who have been seen in underthings are wearing shifts under their corsets. (This detail in 19th century costume is often omitted in historic movies and TV series) Dramatic and somewhat suspenseful scenes were played out at random with hardly any explanation or connection – it was all rather random and pointless, which is a pity. I’m afraid that this series-movie-whatever has fallen into the same old trap of seeing the Wild West as one big indistinct blur, with no regard for geographic specificalities, or for the way in which the trans Mississippi west radically changed over the last half of the 19th century; as I wrote some time ago, on another muddled movie:

“… to write something true, something authentic about the western experience – you have to do what the creators of The Trail to Hope Rose didn’t bother to do; and that was to be specific about time and place. The trans-Mississippi West changed drastically over the sixty or seventy years, from the time that Americans began settling in various small outposts or traveling across it in large numbers. And the West was not some generic all-purpose little place, where cattle ranches could be found next to gold mines, next to an Army fort, next to a vista of red sandstone, with a Mexican cantina just around the corner. No, there were very specific and distinct places, as different as they could be and still be on the same continent. 1880’s Tombstone is as different from Gold Rush-era Sacramento, which is different again from Abilene in the cattle-boom years, nothing like Salt Lake City when the Mormons first settled there – and which is different again from Laura Ingalls Wilder’s small-town De Smet in the Dakota Territory – or any other place that I could name, between the Pacific Ocean and the Mississippi-Missouri. Having writers and movie-makers blend them all together into one big muddy mid-19th century blur does no one any favors as far as telling new stories.” 

15. May 2026 · Comments Off on Mr. Mulholland’s Big Oops! · Categories: Old West

I was watching one of my favored YouTube series, when a particular historical series showed up on my feed, reminding me of a notable but now mostly forgotten man-made local disaster: the failure of the St. Francis dam, in 1928. This dam was situated in a canyon in the San Gabriel mountain range, 40 miles north-west of Los Angeles, California. The canyon fed into the Santa Clara River, which eventually emptied out into the Pacific Ocean. The resulting disaster is comparable to the Johnstown flood some forty years previously on the other side of the country. Both disasters involved a sudden and horrific dam collapse, after concerns about the stability of the dam had been raised – and dismissed, with catastrophic results, but there are some key differences: the St. Francis dam was a new, carefully designed and watchfully tended concrete construction. It was a key component of water supply to a growing city – not a half-forgotten, shoddily maintained earth dam on private property.

I grew up in that part of the country, so the names of towns affected by the disaster in 1928 are all vividly familiar. I went to Girl Scout camps in Saugus, my youngest brother still lives in Santa Clarita, and my paternal grandparents lived for years in Camarillo, where the catastrophic flood from the dam failure finally washed out into the Pacific Ocean. The name of William Mulholland was also familiar. A scenic avenue winding through the range of hills separating the San Fernando Valley from Los Angeles proper was named for him. The family who lived in the house next to my maternal grandparents on Lotus Avenue in Pasadena were also surnamed Mulholland; I’ve always wondered if they were related.

William Mulholland himself was a Scots-Irish immigrant from Belfast, who ran away from an abusive home and went to sea as a merchant sailor. Then he knocked around the US as an itinerant laborer, before winding up in Los Angeles in 1877. He got a job there tending the various channels and ditches which supplied water. Somehow that work fired ambition in a young man who had drifted from one menial job to another, before finding his calling in a mission to supply of water to a growing urban population – in a place where water appeared all at once and then often not at all. He studied nights, taught himself engineering, with all the necessary mathematics to underpin a career as a professional civil engineer and eventually rose higher and higher in the civic establishment which employed him. By the early part of the last century Mulholland was the head of Los Angeles’ water and power division, dedicated to supplying water for a growing metropolis. His knowledge of the water system was encyclopedic, as most of it had been built under his supervision and to his designs. He was a key figure in a decade of underhanded shenanigans involving water rights, getting water diverted from the then-prosperous farming area around the Owens Valley to Los Angeles through a huge aqueduct, in use to this very day. This was known as the California Water Wars, elements of which were later and very (very!) loosely dramatized in the movie Chinatown.

As part of the immense aqueduct project, Mulholland felt it was necessary to maintain a holding reservoir to regulate the water supply – just in case of a prolonged drought or an earthquake damaging the aqueduct. Eventually his choice fell on a steep-walled canyon just north of present-day Santa Clarita, some 40 miles from Los Angeles proper, as it was then. Towns along the lower Santa Clara River include Valencia, Newhall, Castaic Junction, Fillmore, Bardsdale and Santa Paula; then a semi-rural country of farms and orchards.
Mulholland used the same basic design he had done for a previous dam, just adapted for the Francisquito Canyon site: a massive concrete gravity-arch construction, the same design as the later Hoover Dam on the Colorado River. After careful consideration, he selected a place in the canyon where the canyon itself was wide enough to accommodate a generous reservoir and then naturally narrowed at a point suitable to construct a dam. There were flaws in construction, one of which could be laid to Mulholland as a designer and sole authority for the water and power component. He increased the height of the dam by ten feet, without correspondingly broadening the base to compensate. The other weakness was a geologically fragile underpinning of the canyon, which would prove to be susceptible to the quantities of water in the reservoir, once filled. Although Mulholland directed bores and water percolation tests be run prior to beginning construction, technology available to him in the 1920s was not enough to detect that fragility in the layers of rock underneath and in the canyon walls on either side.
By the mid-1920s, the area along the Francisquito Canyon was an intermittent construction site, with camps for laborers, and small housing areas for workers at two new power plants. Construction on the dam began in August 1924 and was completed by May, 1926. As water began to fill it, some leaks and seeps were noted in the structure and in the abutment on the west side; noted and categorized as normal and expected in a concrete dam of that size. The dam continued filling over the next two years, without giving any particular cause for concern. The resident dam keeper, a man named Tony Harnishfeger lived with six-year-old son and his girlfriend in a small cottage about a quarter of a mile down the canyon from the dam. Harnischfeger was charged with regularly inspecting the dam and the abutments on a daily basis and informing his superiors in Los Angeles of anything out of the ordinary. Later, a close friend of his testified that Harnishfeger had expressed deep concerns about the dam to his employers and that he had been told to stop bringing them up or lose his job. Well – maybe … but if he had been that worried over the stability of the dam, one would think he would have found another place to live, rather than in a house below that dam….

In any case, on the morning of March 12th, dam keeper Harnishfeger discovered an alarming new leak – and one which spurting irregularly and of muddy, not clear water. This would indicate that somehow water had undermined the dam’s footings – not a leak in the dam itself, which would naturally be of clear water. He called Mulholland immediately. Mulholland and his assistant (and later successor) Harvey Van Norman, rushed by automobile to St. Francisquito canyon – a journey of some hours over mostly dirt roads in a relatively comfortless early model automobile, and joined Harnishfeger in examining the frightening new leak and the dam itself over a visit lasting several hours. Yes – it was concerning, that the water was muddy … but Van Norman eventually found what he thought was the real source for the muddy flow – the water picking up dirt from a new access road. The leak was worrisome, and eventually something would have to be done about it but … nothing urgent. The two engineers returned to Los Angeles, leaving Harnishfeger alone with his worries.
And that night, just a few moments before midnight – the worst possible collapse happened. Both sides of the dam utterly collapsed, leaving the center segment standing upright and still rooted in the canyon floor. No one saw it who could testify afterwards as to which segment gave way first – no one who lived. About the nearest witness to the disaster was a carpenter employed at one of the powerhouses in the canyon. His name was Ace Hopewell; he rode past the dam about ten minutes before midnight on his motorbike on his way back to where he lived and saw nothing unusual or worrying. A little farther up the canyon he thought he heard the rumble of a landside over the sound of his engine. Slightly worried, he stopped and listened – and the sound died away.
What Ace Hopewell heard in the distance was those catastrophic moments when both east and west sections of the St. Francis dam gave way, probably almost simultaneously. Enormous chunks of concrete broke into smaller chunks as the water behind the dam – as more than 12 billion gallons of water instantly rushed out. It was estimated later that the entire reservoir emptied completely in a little over an hour. No one below in the canyon had a chance. The power station below the dam was obliterated, as was the little hamlet where the workers and their families lived. Only three survived, out of the 67 known to be at that site. A sudden flickering in electric lights and a sudden drop in power in Los Angeles may have been the first indicator there of bad trouble.
At 40 minutes past midnight, as near as can be estimated, the surge of water out of the canyon burst into the Santa Clara River. By one AM, the water had demolished the power plant in Saugus, darkening the entire valley, from Santa Clarita to the coast. Raymond Starbard, employed at the Saugus substation is nearly carried away by the flood, but manages to fight his way out of the water and get to a working telephone. He calls the sheriff’s substation in Newhall, the next town down the river valley; he is credited with being the first to get the word out about the looming disaster.

Meanwhile, the flood overwhelmed a Southern California Edison worker’s camp laid out on the riverside flats five miles further downstream. The only warning the 150 workers there got was from a night watchman Edward Locke, a disabled veteran who apparently heard the rumble of the approaching flood and ran from tent to tent, shouting a warning. The tents were canvas on wooden floors: workers who went to sleep with the tents buttoned up tight against the night air had slightly better odds of surviving, as that provided a bubble of air inside which held out just long enough to float as the surge carried the tents away. Despite the warnings, 84 workers there were lost including Edward Locke. By now the floodwater included trees, brush, and wreckage from shattered buildings. bridges, and machinery; a deadly moving slurry of water, mud and fragments.

In the small town of Santa Paula, some thirty miles downriver, Miss Louise Gipe, a duty telephone operator, received an urgent warning of the dam failure from someone in authority at the telephone company offices. Miss Gipe immediately began calling local officials, including the police – and then began making individual calls to homes closest to the river. This, in a day when making such calls meant patching calls manually, one by one. Others notified was Thornton Edwards, a motorcycle policeman of the State Motor Division (a predecessor of the California Highway Patrol) who lived in Santa Paula and Santa Paula police officer, Stanley Baker. Edwards immediately woke up his family, and his neighbors, saw them to safety on higher ground and then hopped onto his motorcycle with siren blaring, set off to alert as many as he could by going to every third house, waking the inhabitants and ordering them to get their neighbors and move to safety. He kept at it until three feet of water swept him off the bike. Stanley Baker did the same – because of their efforts, Santa Paula only suffered 16 known casualties in the flood, although many homes in low lying areas were wrecked by the flood, including Thornton Edwards’.

The massive surge of water, still moving at an estimated 6 miles per hour emptied out into the Pacific Ocean at 5:30 in the morning. Bodies of victims were pulled from the ocean for days, some floating as far south as the Mexican border. Others were buried deep, and only discovered as late as the 1990s, when construction excavation unearthed two victims near Castaic Junction. The bodies Tony Harnishfeger and his son were never found at all. Eventually the human toll stood at 431, although revised estimates postulate as many as 600; it was a rural area, farm country, with many itinerant and undocumented farm workers and ordinary hoboes; no registered address, no telephone, no one noticing if a little camp by the river or under a bridge, with a dozen people living in it was gone when the flood swept through.
Of course, the flood made all the newspapers; it was the early twentieth century, with all the technological advances. At the time, this was the worst disaster to hit California since the San Francisco Earthquake – and it seemed as if it could have been, should have been prevented. The public, especially those who had their homes and livelihoods wrecked, and those who lived downstream from other planned reservoirs, demanded answers. Civil authorities, from the governor on down obliged with a series of hearings scheduled almost immediately in the wake of the disaster. Naturally, William Mulholland and his department were questioned about everything to do with construction of the St. Francis dam. Most unusually for an executive-level bureaucrat in any modern time, Mulholland publicly accepted full responsibility for the disaster; he refused to shift blame for the failure to anyone or anything else. He and his department escaped criminal culpability, as no one at the time could have known about the geological instability in San Francisquito Canyon until the dam itself collapsed – but the loss of life in the collapse appears to have weighed dreadfully on him, at least as much as the monumental failure of one of his grand projects. He retired from his position at the end of the year. and died in 1935; a semi-recluse at the end of his life.

Chunks of concrete from the dam are still strewn across the bottom of San Francisquito Canyon. The center portion, which remained standing, was demolished after a sightseer fell off of it and died a year later.

11. February 2026 · Comments Off on Plots Within Plots Within Plots · Categories: Old West, Random Book and Media Musings

So … working on the next installment of the Kettering Family chronicles – this time around the narrator/main character is Rafe; the little boy who along with his younger sister, was rescued from the starvation trail at the end of The Hills of Gold. Rafe and his sister Rose are the orphaned children of a hapless young English couple, who got into more difficulties on the overland trail than they were able to handle … and anyway, Rafe has been traumatized by the hardships and deaths of his parents, and Rose almost too young to remember much of anything. Rafe deliberately puts all those earlier memories aside; it was all confusing, horrible and miserable. He wants to forget and works very hard at putting all that awfulness in the far-distant past. Quite early on, the two of them fully embrace being part of the Kettering family and an American identity, in Gold Rush-era California … but there are lingering threads, connecting them to their original parents and to their families in England, which will come up as the series develops.

My overall story arc is intended to see the various Kettering children as tweens and teens, experiencing all sorts of interesting adventures and encounters with famous, soon to be famous, or just interesting people of the period – which potentially makes a cast of thousands. This was the wild west – and in the precious metal rushes to California, Nevada, Colorado and other locations – it was really, really wild. The scope for dramatic plots is practically without limit. I plan tentatively to carry the overall story arc up to completion of the continental railway.

Rafe’s part of the overall narrative initially was to be on the spot during the episode of the San Francisco Committee of Vigilance of 1856, at which time he will be twelve going on thirteen. As it has developed, Pa Kettering has some business interests in San Francisco – as an early settler in California, he purchased land early on … and found that business interests were more to his liking than farming. Anyway, I was thinking on what else might serve as a direct source of adventure for Rafe, and I harkened back to some of the material I had read about how the San Francisco waterfront was a scary-dangerous and lawless place.

There was a reason that it was called “The Barbary Coast” – and one of those reasons was the fact that during those years, it was common for sailors to jump ship and go looking for gold, to the point where many ships could be left seriously under-crewed – even abandoned in the harbor. There were a number of enterprising criminals operating waterfront saloons and other places of … umm … recreation, who specialized in drugging unwary young man and packing them off to a ship headed for the far east. Upon waking up, they’d find themselves far out at sea, usually penniless and without friends, and forced into crewing the ship. (This is the derivation of the term ‘shanghai’, meaning to forcibly redirect an unwilling person in another direction from the one they intended) … so I thought – let the thirteen-year old Rafe be mistakenly captured by one of these operators looking to fill a head-count for a ship captain, put on board a ship heading for Shanghai in the middle of the night … only for the ship-master to realize too late that he has been cheated, and has inadvertently assisted in the kidnapped the son of a prominent merchant landowner. So Rafe winds up in Shanghai, China – and meets a British missionary there who turns out to be a relative …

Yes, this will be a fun adventure. Back to the books, and the contemporary memoirs of 19th century California…

28. December 2025 · Comments Off on Looking Ahead and Back · Categories: Domestic, Old West, Random Book and Media Musings

Time to look back, at what I decided to do during 2025 – those things accomplished according to the program set for myself during that year, and what I want to get done in the coming year of 2026.

I did manage to finish Luna City #12, get it out there, as well as The Hills of Gold,  the second of the YA series set in the pre-Civil War wild west, such as it was in California, Nevada and Utah. This offers a lot of scope for writing about all kinds of far-west shenanigans in the various precious mental rushes in California and Nevada, as well as scope for touching on all kinds of things – like vigilante organizations, and transcontinental communications and transport, in the heyday of the Pony Express and getting the telegraph and stage lines operational … and to write about them with the aim of getting tween and teen readers interested. I’ve said it before and will say it again – that history is a great deal more interesting, complicated and nuanced than school history textbooks present it. It’s almost as if the producers of such textbooks really want to turn off any interest on the part of pupils anyway. So – for next year, I’m aiming to do at least one and possibly two of the sequels to Hills of Gold, each focusing on younger children in the Kettering family. I also managed to dash off a Hallmark-style romance novel, for the Christmas trade, in three months of frantic scribbling, for an output of three finished books in 2025.

As for household matters – the 30-year mortgage on my little cottage was finally paid off, in March of 2025, which was a huge thing for me. I still am paying on the new windows, siding and HVAC work done several years ago, but one of those accounts is close to being paid off.

In the new year – I’d like to finally get a luxury vinyl plank floor installed in the kitchen/living room area, and the master bedroom, to match what is in the den and the front bedroom. This I likely will have to pay to have installed – I did the den floor myself, and that was a small room and doing it myself about wiped me out for a week. That job might have to wait for a year… Now, repainting the kitchen/living room and master bedroom myself, as well as repairing or replacing some of the installed bookshelves is well within the realm of possibility – that being a job I can do myself.

The other big expense project is getting the Accura Legend running again. I was so freaked about driving after getting T-boned when driving Thing the Versa that the Accura sat in the driveway until it couldn’t even be started by an electric charger. So – get that running again … or see about a new car. My daughter, of course, favors me in a new car. It all depends on what needs to be done to get the Accura running again, and how much it costs.

Keeping chickens is put off for another year, I’m afraid. A family of semi-tame ferals have taken to hanging out in the garden again, and they will not get along with cats. I was told by a guy who raises chickens and game fowl up in the Hill Country that it was likely a cat who killed two of our last flock and mauled a third hen so badly that she died later. Unless I keep them 24-7 in a secure, covered run …

So that’s the wrap of 2025 and expectations for 2026! And now, back to writing…

09. May 2025 · Comments Off on The Fun of Primary Historical Sources · Categories: Memoir, Old West, Random Book and Media Musings

I am working like a busy little literary beaver on the second of the YA frontier western series, the Kettering Family chronicles. I thought from the first to make the main and viewpoint character always a tween or teen, but making it a series and having the story romp over twenty years of interesting pre-civil war events in the various gold and silver rushes while still maintaining the viewpoint of a teen or tween. The work-around for that challenge means that now each book is planned to focus on the adventures and characters of consecutive Kettering children…

Anyway, the main character in the work in progress is Sally Kettering’s little brother Jon, and the early and curious days of the California gold rush. It appears as if the plot will keep the family in Sacramento. Which will be a nice change for me, as Sacramento is one of the places where I lived in real life. Only for a single year as it turned out – but I did enjoy the heck out of living there, visiting Old Town and the Railway Museum, as well as actually traveling up into the gold rush country – Coloma and Placerville – a couple of times. (To Truckee and Lake Tahoe, as well, if only briefly.) California was a livable, interesting, affordable and relatively sane place to live in once upon a time, so I have those recollections and local specific knowledge to draw upon.

But the other element is – old local histories. I have found a couple on Googlebooks, scanned and collected volumes retrieved from dusty and unfrequented and likely deserted library stacks. The closer in time to events recorded, is all the better for my purposes. Also, the more unfocused and gossipy is even better, for that becomes precious little nuggets, bits and bobs and curious personalities which make for a more authentic read, once carefully worked into my own narrative. I downloaded and read about a dozen 19th century Civil War women’s memoirs for That Fateful Lightning, even though I had a goodly number of professional modern historians’ references. It’s the same with this book – those chatty, rambling, first-hand accounts are pure gold.