My author tableWell, I have been in colder places in my time, and places were it got colder longer, but most of them involved show, and shoveling massive amounts of it … or that year in Greenland, thirty miles north of the Arctic circle, which didn’t have all that much show, but was dark as the bottom of a coal mine for all the days of the winter months. I can handle temps in the teens and twenties very well, thank you, but I think I had better get out that Eddie Bauer parka, the insulated gloves, woolen hat and the warm scarf to wear when walking the dogs tomorrow.

So, the month-long holiday hurdles have been negotiated successfully, the turkey leftovers finally disposed of, the Christmas lights and ornaments all taken down – and here I am ready to face the New Year. As far as book events go, the biggie is the San Antonio Book Festival in early April. Watercress Press is going to have a booth in the exhibitor’s hall, and as one of their authors, I’ll be there. It’s only the second time the SA Public Library foundation has done this kind of thing so there is something to be said for getting in on a lower floor. And Watercress has been around for thirty years in San Antonio; one would think that a bit of respect for seniority would be due.

I’m rather looking forward to it, since I have been trying to gin up interest in my own books in San Antonio. I love the Hill Country, and I’ll go anywhere within reason to do a book event, but with the cost of a tank of gas, and considering the needs of the dogs, it would be fantastic to do a book talk within a fifteen or twenty minute ride of the house. Weirdly, the books seem more popular practically anywhere other than the place they were written – and in the case of The Quivera Trail, the location where they were set. For a while, The Adelsverein Trilogy was on sale in the bookshop at the Texas Institute of Cultures, but that was about as good as it got. Readers have also suggested  the Texas Book Festival – I’d be eligible to exhibit there as an indy author, but last time I looked into it, the costs for a booth there was way out of what I could pay – and again, there is that long drive involved.

But I am going to club together with my daughter’s Tiny Artistic Bidness, Paper Blossom Productions for a couple of market events; the spring market in Helotes for certain, and another in Bulverde possibly. I’ll post more on all of this as soon as we know for certain.

I’ve written now and again of how I’ve been spoiled when it comes to watching movies set in the 19th century American west – also known as Westerns – by my own knowledge of the setting and time. Yes, if a little knowledge is a dangerous thing, a lot of it is like the Tunguska Explosion, with pretty much the same results – even if the movie in question is one of those high-cost, well-acted, beautifully filmed award-winning extravaganzas.

The latest movie which has been destroyed for me is Dances With Wolves – which we decided to watch the other night. Beautiful-looking movie, scenic panoramic sweeps of the Northern Plains, attractive and interesting actors – especially those portraying Sioux – and as for the look and conduct of the tribe as portrayed? I’ve always thought there was nothing better for getting an idea of what a Sioux village and it’s inhabitants looked like in the mid-19th century. No, really – it was marvelous, almost a living history exhibit; everyone was always doing something; working, recreating, celebrating. Alas – everything else about Dances just falls apart on closer examination.

What was the purpose of Fort Sedgwick, abandoned out in the middle of the plains? US Army forts were established along the overland trail to serve a purpose – protecting commercial and emigrant traffic, mostly. An army post just sitting out there with no mission, off and away off the beaten track? Logical fail number one. During the Civil War, protecting traffic and communications between the Far West and the North was of prime concern – especially since the more hostile western tribes realized that the pickings were good with the Federal Army withdrawn from all but a few strategic posts. I should note that the Pawnee, as farmers who did some buffalo hunting on the side, were also long-time foes of the Sioux. But they had been pretty well decimated by epidemics and warfare with the Sioux well before the Civil War even began. The Pawnee were still fighting the Sioux, though … being recruited from their Reservation to serve as US Army scouts, and they were not bopping around the Northern plains attacking Army teamsters, either. Logical fail number two.

Logical fail number three is that by the 1860s, it just isn’t historically credible for an Army officer to ‘go native’, as it were, and join an Indian tribe. Hostilities between the various tribes and the whites had gone too far by then; there was too much bad blood on the ground and ill-feeling in the air. I will concede that it certainly could have happened at an earlier stage, depending on the tribe and the eccentricity of the individual, and the battle lines not so firmly drawn. The early mountain men cheerfully and openly joined various friendly tribes, and certainly other men whose work or wanderlust led them into the trans-Mississippi west during the 1830s and 1840s would have been likely candidates for adoption as adults into a tribe.

Given my urge to try and tinker with a narrative like this in order to ‘fix’ these and other inconsistencies, I looked at Dances and thought about how I would have tweaked it and made the story historically consistent. It could have been done quite easily by making Lt. Dunbar a traumatized survivor of the Mexican-American War – which would move the story back in time almost twenty years, to when there were just a handful of American outposts in the Far west. Give him an assignment to survey a portion of land which the Americans had won from Mexico – and there were a number of surveying and exploring missions going on at that time. Get him separated from the rest of his group, and stranded in the wilderness … and play out the rest of it as written. This strategy might not have resulted in a better book or movie – but it certainly would have satisfied me.

Well, it’s my fault that I didn’t know about the death of T.R. Fehrenbach until last night, when one of the ladies in my Red Hat circle mentioned it. She ventured something about a historian and editorial writer for the local newspaper, whose name was something like “fehren” who had died several days before, and the obituary was in yesterday’s paper. Was he someone that I knew, since I write historical fiction? I asked her if the name was Fehrenbach and she said yes – and would I please pronounce it again.

My fault – I cancelled my subscription years ago, upon realizing that just about everything but strictly local news I had already read on-line and days before it appeared in the rapidly-diminishing pages of the San Antonio Express News. So – I did a quick googlectomy and yes, it was true. T.R. Fehrenbach had a long life and a well-spent one, to outward appearance, and a goodly number of books on ranging wide over matters historical, and readable enough to be outstandingly popular with that portion of the reading public with a passing interest in history and no urge to go wading through the murky swamps of strictly specialist academic historians. No, like Bruce Catton, or Barbara Tuchman – he was erudite and a pleasure to read. Such writers come along rarely enough. I think the greatest service they do, besides enlarging general historical knowledge, is that they get other people interested in history; passionately and deeply interested in it.

When I first began mapping out the general outline of my first books set in Texas, I bought a copy of Lone Star – from Half Price Books, of course. Later on someone recommended his Comanches – The History of a People. By then I had also branched out to other local historians for book-fodder; Scott Zesch, Alvin Josephy, Brownson Malsch, S.C. Gwynne, William C. Davis, J. Frank Dobie, Stephen Hardin and primary sources without number. I do regret that I was never able to meet Mr. Fehrenbach personally, although I have several friends who did, over the years. San Antonio is a small town in a lot of ways, and writers – even just people – pursuing the same interests tend to fetch up in the same circles or at the same events.
I would have liked to thank him. Ah, well – I also missed out on meeting Elmer Kelton, a few years ago. Mr. Kelton was supposed to the the big-name guest author at the West Texas Book and Music Festival in Abilene, a few years ago. And when I was sixteen, I nearly had a chance to meet the founder of Girl Scouting, Olave Badon-Powell, but that fell through as well.

28. November 2013 · Comments Off on Revisiting Barsetshire · Categories: Random Book and Media Musings · Tags: ,

350px-BarsetshireNot so much the 19th century Barsetshire of Anthony Trollope, but the 20th century version; a cycle of interlinked novels by Angela Thirkell, which were sort of chronological in that they were contemporary to the time that they were published – about one a year – between 1933 and her death in 1961. The books were part gentle social comedy, part romance and totally English. The novels were set in a mythical English county, and featured a huge cast of characters, a dozen or more families, houses grand and humble and several small towns. In passing, the books also chronicled those wrenching changes wrought by WWII and its gray aftermath. Quite frequently, a character, or a set of characters that would be front and center in one or two books, would retreat to the sidelines in another, while another character or family – mentioned in passing previously – would be the leading lights in the next. And it was not necessary to read every book in strict chronological order to know what was going on in Barsetshire, although it was obvious that the society which the books reflected had changed substantially from the relatively serene 1930s, to the wartime 1940s and into the uneasy peacetime which followed on it. Like Forrest Gump’s box of chocolates, you could pretty much dip in anywhere and enjoy.

Some years ago, when I was blogging fretfully about how the research material I had reviewed for writing Adelsverein was leading me inexorably towards making it into more than just one book, a long-time blog fan just advised me to think of it all as Barsetshire with cypress trees and a lot of sidearms – let it rip and make it into two or three volumes. After thinking it over, I realized he was entirely right. And when I mapped out more novels set in Texas, before, during and after the events chronicled in the Trilogy, I realized that this was a most excellent way to think of those books of mine set in Texas; not as a straight start to finish ladder of a narrative, but more like an interlinked network – like Thirkell’s Barsetshire. People and characters change, over time; they have experiences, grow older and settle down, or they move off into something else. I simply couldn’t write the same character over and over again, as if nothing about them had been changed by experience and time. I was already doing this in the Trilogy – by the time of the last volume, The Harvesting, quite a lot of the narrative load was being carried by characters who had been babies or small children in the first two volumes. And there were so many characters whose experiences and back-stories I wanted to explore … really, The Harvesting was nearly twice the page-count as The Gathering, and if I gone down all those entrancing side-corridors, it might have been three times longer still.

So, some of those interesting characters demanded their own books – Margaret Becker, of course – who knew everyone who was everyone, and had a very interesting life of her own, while her brother was off adventuring on the far frontier. And with The Quivera Trail, there is Dolph Becker’s English bride – and Sam Becker’s as well. In the next book, Fredi Steinmetz’s adventures in Gold Rush California and on the various western trails will fill in his own interesting frontier experience. As I look over it all – good googly moogly, have I written six books already about these people and their web of kin, friends and associates? There are so many more at-present-minor characters begging for attention. A reader once wondered wistfully, why didn’t I do something about Willi Richter and his long sojourn among the Comanche? Then, what about little silent Grete, his sister who was retrieved after a year with them? There must be interesting material enough about Tom Becker, the Bandera Kid, who was born in a London slum under the name of Alf Trotter – but at the end of The Quivera Trail, he is a silent movie cowboy star. Surely, there is a fascinating story in that – and in Peter Vining’s brother Jamie; a small child in Deep in the Heart, and dead in Pickett’s charge at Gettysburg two books later. Little Horrie, Margaret’s grandson, a small child in the two books about Margaret, a teenager briefly mentioned in Quivera – what about him? And there is yet another thread – the daughter, or possibly the granddaughter of Race Vining’s Boston wife, coming to Texas by chance and discovering the skeleton in the familial closet?

No, not a ladder – but a net, drawing in all the various stories in our American history, in our past. And there are more of them to be told. Just wait.

15. November 2013 · Comments Off on Letters From a Lady · Categories: Old West, Random Book and Media Musings

(Since The Quivera Trail is launching next weekend – at New Braunfels’ Weihnachtsmarkt, no less – I have begun research for the next historical adventure, that picaresque California Gold Rush adventure which I have always wanted to write. This research takes the form of reading every darned history and contemporary account that I have on my shelves, or can get my hands on. One of these books is The Shirley Letters from the California Mines 1851-1852, by Louise Amelia Knapp Smith ‘Dame Shirley’ Clappe.)

Cover - Shirley Letters
Louise Amelia – better known by her pen-name, Dame Shirley – was an irreproachably Victorian lady, possessing a lively intellect and observant eye, which the education typically given to girls at that time did nothing to impair. Conventional expectations for upper-class women of her day seem hardly to have made a dent in her, either. She was born around 1819 in Elizabeth New Jersey and orphaned by the deaths of both parents before out of her teens. She had a talent for writing, encouraged by an unexpected mentor – Alexander H. Everett, then famed in a mild way as a diplomat, writer and public speaker. He was twice her age, and seems to have fallen at least a little but in love with her. She did not see him as a suitor, but they remained friends and devoted correspondents. Eventually she was courted by and consented to marry a young doctor, Fayette Clappe – who even before the ink was dry on the registry, caught the gold fever. Fayette and Louise Amelia were off on the months-long voyage around the Horn to fabled California. The gold rush was almost overwhelmingly a male enterprise – wives and sweethearts usually remained waiting at home, but not the indomitable Louise, who confessed in one of her letters to her sister Molly, “I fancy that nature intended me for an Arab or some other nomadic barbarian, and by mistake my soul got packed up in a Christianized set of bones and muscles.”

They tarried briefly in San Francisco, before the incessant fog and chill drive Fayette Clappe to take up a residence and medical practice inland, first at the mining boom-town of Rich Bar, and then at Indian Bar, on the Feather River. Over 1851 and 1852, she wrote a series of letters to her sister Molly in back in Massachusetts; letters that were sharply observant, rich in detail, lively and fully open to the contrasts and absurdities – as well as the beauty of the landscape around them – and the sheer social chaos of the mining boomtowns. Of Rich Bar itself she observed, “Through the middle of Rich Bar runs the street, thickly planted with about forty tenements, among which figure round tents, square tents, plank hovels, log cabins, etc., the residences varying in elegance and convenience from the palatial splendor of “The Empire” down to a “local habitation” formed of pine boughs and covered with old calico shirts … To-day I visited the “office,” the only one on the river. I had heard so much about it from others, as well as from F., that I really did expect something extra. When I entered this imposing place the shock to my optic nerves was so great that I sank helplessly upon one of the benches, which ran, divan-like, the whole length (ten feet!) of the building, and laughed till I cried. There was, of course, no floor … the shelves, which looked like sticks snatched hastily from the woodpile, and nailed up without the least alteration, contained quite a respectable array of medicines.”

The letters stand almost alone among contemporary gold rush accounts; first for having been written by a woman at a time and place when there were only a handful of them present and of those few hardly any possessed the time and inclination to pick up a pen. Of the other three women in Rich Bar when Louise Amelia arrived, two were married with children and engaged in working in their husband’s enterprises, the third a husky young woman working in her father’s hotel. With undiminished zest, Louise Amelia chronicled the daily doings of Rich Bar, the celebrations and accidents, the sad funeral of one of the other women, the labor of mining gold, the appearance of her own little cabin, and a hundred other topics. It is plain that she had the time of her life during those fifteen months, and missed nothing of conventional life at all.

“How would you like to winter in such an abode? in a place where there are no newspapers, no churches, lectures, concerts, or theaters; no fresh books; no shopping, calling, nor gossiping little tea-drinkings; no parties, no balls, no picnics, no tableaus, no charades, no latest fashions, no daily mail (we have an express once a month), no promenades, no rides or drives; no vegetables but potatoes and onions, no milk, no eggs, no nothing? Now, I expect to be very happy here. This strange, odd life fascinates me … How I shall ever be able to content myself to live in a decent, proper, well-behaved house, where toilet-tables are toilet-tables, and not an ingenious combination of trunk and claret-cases, where lanterns are not broken bottles, bookcases not candle-boxes, and trunks not wash-stands, but every article of furniture, instead of being a makeshift, is its own useful and elegantly finished self, I am sure I do not know.”

Before winter of 1852 set in, Dr. Clappe insisted that they return to San Francisco. The easily-mined placer gold would have been nearly mined out by that point, and Louise Amelia’s adventure was over. “My heart is heavy at the thought of departing forever from this place. I like this wild and barbarous life. I leave it with regret … Yes, Molly, smile if you will at my folly, but I go from the mountains with a deep heart-sorrow. I took kindly to this existence, which to you seems so sordid and mean. Here, at least, I have been contented … You would hardly recognize the feeble and half-dying invalid, who drooped languidly out of sight as night shut down between your straining gaze and the good ship Manila as she wafted her far away from her Atlantic home, in the person of your now perfectly healthy sister.”Very shortly thereafter Dr. Clappe took a trip to the Hawaiian Islands; likely their marriage was already dissolving. Eventually they divorced; Louise Amelia remained in San Francisco, teaching school and keeping a kind of intellectual salon. The letters were reprinted serially in a short-lived local literary magazine, The Pioneer, over 1854 and 1855 – but they were read and appreciated by historians like Josiah Royce and Hubert Bancroft, and writers like Bret Harte and Samuel Clemens. When ill-health forced Louise Amelia to retire from teaching, she returned to the east to live with family. She died in 1907. Eventually the letters were collected and published in in 1922 and again in 1949 – as lively and fresh a voice as they were when first written.