From the temple of Poseidon at Sunion, Greece
I see from a link from a Facebook friend that author Mary Steward has passed on to that great and ultimate publisher in the sky.
(Facebook links and Twitter posts – I swear, this is how we find out news of a relatively minor nature these days.) She was well into her nineties, and the books that were her mega-popular best-sellers were all from several decades ago. (
Including The Crystal Cave – the first of a five-novel retelling of the Arthurian cycle; these are the ones which most readers remember.) I, on the other hand, remember finding, reading and adoring her earlier books – the romantic-suspense-mystery ones. Yes, because they not the least bit risqué, no bad language or anything more sexually-explicit than a fond kiss or a close and comforting embrace – I recollect that I first encountered them in the library when I was middle-school age and no one burst any blood vessels over me reading them. I might even have read them first in the Mount Gleason Junior High library, at that – since the movie that Disney had made from
The Moonspinners was shown in the school theater over summer. Although I was a bit disappointed when I looked up the book and read it after seeing the movie. Everything was different, just about! But for the setting and … well, the setting; I did get to appreciate the books, later on – as the memory of the movie faded. Especially those of her books with a setting in Greece;
My Brother Michael, (Delphi and environs) and
This Rough Magic (Corfu), especially … and then I had a soft spot for her very first book,
Madam, Will You Talk? – which was set in southern France. I never did get to check out Corfu – but I did visit Athens and Delphi – and Provence, as well – motivated in large part because of the beautiful way that she had of establishing a place and the character of it.
Never mind about the romance and all … dumpy and rather plain fifteen-year-olds, cursed with glasses and metal braces – still have a wistful affection for romance. Even if the prospective hero is at first meeting grumpy and impatient – even slightly mysterious. Someday, my fifteen-year old self hoped – I would go to Greece, or the South of France, although the romance part was perhaps a little bit too much to hope for.
And I did – but that is another story. At any rate, she and Rosemary Sutcliffe were among the first writers that I came back to, over and over – because of the way that they wrote about a place; every leaf and tree and flower of it. I would like to think that I have taken some lessons from them, or at least had their very good example before me when I began to write about specific places.
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