Celia Hayes – The Accidental Texan

When we do a market or book event – my daughter takes care to put out all of my books along whatever table or display space that we have in chronological order. Eight of them are historicals, and can be described as a family saga, in that a good few characters appear in various books – although not always as a main character. Even so, I have taken good care that all my books (Chronicles of Luna City excepted) are self-contained; it’s not one of those series where you have to read each book in rigid order to make sense out of it all. (Personally, I hate those kinds of series.) But the Adelsverein Trilogy, and the five books which share the same four family trees span the years between 1825 and 1900 – mostly, but not exclusively in Texas. To Truckee’s Trail is set in 1844-45, on the California-Oregon Trail, but stands apart from these eight. Lone Star Sons is set in Texas in the 1840s, and has Jack Hays as an ongoing character – but is also stands apart. The Luna City series is set in modern-day Texas, and is completely different in tone, being more a gentle comedic diversion.

With that out of the way – this is the breakdown, in chronological order, for those readers who do want to read them that way:
Daughter of Texas: Runs from 1825, and begins with the Becker family arriving in Texas: Margaret, her brothers Rudi and Carl, her parents Alois and Maria. The narrative deals with early days in the entrepreneur settlements of San Felipe-on-the-Brazos, and Gonzalez, Margaret’s marriage to the local school-teacher, Horace “Race” Vining, the build-up to and the outbreak of the War for Independence, the Runaway Scrape and the battle of San Jacinto. The remainder of the book tells of Margaret’s life in the tiny settlement of Waterloo, which became Austin, up to the year 1840 and the death of her first husband, under circumstances which set up plot elements of Sunset and Steel Rails – which is set a generation and forty-five years later. Besides Margaret, her brother Carl and her son Peter Vining as an infant, this book introduces the characters of Daddy Hurst, and sisters Hetty and Morag Moylan, carpenter and part-time soldier Seamus O’Doyle and Dr. Henry Williamson. Sam Houston, Harry Karnes, James Bowie, William B. Travis, Susannah Dickinson and her daughter, and those members of the Gonzalez Ranging company who went to the relief of the Alamo, Deaf Smith, Mirabeau B. Lamar, and Angelina Eberly are some of the historic figures which appear in this book.

Deep in the Heart: This book runs from 1841 to 1847, and overlaps some of the events and developments in Adelsverein: The Gathering – although there is a brief “bookend” introduction and afterwards set in 1865, as the Civil War ends. This narrative follows Margaret and her four sons and her friends: she is a widow running a boarding-house in Austin catering to members of the legislature. Her younger brother Carl serves as one of Jack Hays’ Rangers, fighting Comanche war parties in the unsettled Hill Country, the invading Mexican army at the Salado Creek fight, and barely surviving the Battle of Monterrey during the Mexican-American War. The main narrative ends with Margaret’s second marriage. Historical figures appearing in this book include Sam and Margaret Houston, Angelina Eberly, Jack Hays and many real-life residents of contemporary Austin.

Adelsverein: The Gathering runs from 1844 to 1849. Carl Becker is a major character here; Margaret makes a very brief appearance. This book is about the recruitment and emigration of German settlers by the Mainzer Adelsverein and their arrival in Texas – in this story, represented by the Steinmetz and Richter families: Christian Steinmetz, his wife Hannah, step-daughter Magda Vogel, his sons Johann and Friedrich “Fredi” and his daughter Liesel, who is married to Hans “Hansi” Richter and has two children with him; Anna and an infant named Joachim. The narrative follows their journey – first by sailing ship across the Atlantic, and by wagon train to first New Braunfels, and then to the new town of Fredericksburg, where they happily settle and begin to build prosperous new lives for themselves. The Steinmetz and Richter families are fictional, as are their friends, the Altemeullers – but most of their neighbors in the new settlements are historical figures, including John Meusebach and the innkeeper C.H. “Charley” Nimitz. Prince Karl of Solms-Braunfels appears in this volume, along with his retinue, Jack Hays (again), Indian agent Robert Neighbors, Samuel Maverick, his wife and their household. One minor character – Porfirio Menchaca, the Tejano horse-wrangler at Carl Becker’s ranch, who appears at the end of this book, is the son of an old friend of Horace Vining’s, as mentioned in Daughter of Texas. Porfirio appears as a minor character in the subsequent Adelsverein Trilogy books, and in The Quivera Trail.

The Golden Road: This book follows the teenaged Friedrich “Fredi” Steinmetz to the gold fields of California during the years 1855-59. It was mentioned in Adelsverein: The Sowing, and in Sunset and Steel Rails that Fredi followed the Gold Rush, but without any particular success that he wished to talk about later. During those years, Fredi works as a cattle drover, freight hauler, washes dishes in a saloon, sells newspapers on the street, rides for an express mail company, and serves as bodyguard/stagehand for Lotta Crabtree, as she and her mother tour the gold mines. He does pan a little gold, too, in company with a mysterious and musical Irishman named Polydore O’Malley, who may be wanted in England for an attempt on the life of Queen Victoria. Or not. O’Malley is fictional, but Fredi does encounter a number of historical characters, some before they became famous – or notorious – including Sally Skull, Jack Slade, Charles Goodnight, Roy Bean, Juaquin Murrietta, William T. Sherman, Mary Ellen Pleasant, Old Virginny Finney, Lotta Crabtree, and Ulysses S. Grant.

Adelsverein: The Sowing. The second volume of the Adelsverein Trilogy covers the Civil War years, 1860-65, chiefly following the lives of Carl and Magda Becker and their family, Hansi and Liesel Richter and their children during that time. The main narrative ends with the wedding of Magda and Liesel’s adopted young sister Rosalie to a returning Confederate soldier at the end of the war. There are a pair of brief “bookends” – opening and closing the book, set around 1910 with the aged Magda telling several of her grandchildren and greatgrandchildren of what happened during the war. Magda’s brothers Johann and Fredi appear briefly, as does Porfirio Menchaca. Historical characters appearing in this book include (again) Jack Hays, Dr. Ferdinand Herff of San Antonio, Dr.Wilhelm Keidel of Fredericksburg, and a leader of the notorious “hanging band”, J.P. Waldrip.

Adelsverein: The Harvesting – This book picks up at the end of the Civil War, slightly overlapping events in the last chapter of The Sowing. The first chapters deal with the experience of Peter Vining, the youngest son of Margaret and “Race” Vining returning to the family home in Austin. He and the small son of his oldest brother are the only surviving males in the family. His three older brothers died at Gettysburg, he is an amputee – and both Margaret and Dr. Williamson have died as well. For lack of a better alternative, he travels to Fredericksburg in the Hill Country and takes employment with Hansi Richter, who has gone into the freight hauling and general store business, along with Fredi Steinmetz and Carl Becker’s oldest son, Dolph. The main narrative concludes in 1876, with Magda receiving news that Dolph has courted and married an Englishwoman. During the course of this book, the younger generation moves more to the front and center: Dolph Becker, his younger brother Sam, Peter Vining, Hansi Richter’s daughter Anna, and Magda’s daughter Hannah. Again, there is a ‘bookend’ beginning and ending, set in 1918, with Magda recollecting events for her youngest daughter Lottie, serving as a volunteer nurse at a military hospital during the great influenza pandemic.

The Quivera Trail: This book slightly overlaps Adelsverein: The Harvesting, as it begins in 1875 with Dolph Becker courting Isobel Cary-Groves, a titled English aristocrat with a desperate need to marry … marry anyone. The main narrative follows Isobel and her very young ladies’ maid, Jane Goodacre as they journey to Texas and begin building new lives for themselves. Alternate chapters deal with their experiences and perceptions as Isobel builds confidence in herself and trust in her husband, and Jane – against her own expectations – develops a sense of independence and falls in love. Magda and her daughter Lottie, Hansi and Liesel Richter appear as supporting characters, as do Peter Vining and his wife, Anna Richter. Hetty Moylan and Morag’s daughter Jemima-Mary also appear. Historic characters appearing include the gunman John Wesley Hardin,  Lizzie Johnson Williams, famous as a woman rancher of the period, and Dr. Herff. The character of Wash Charpentier, champion cowboy, is based on Nate Love, an early rodeo champion – who retired from cowboying to become a Pullman porter. The narrative concludes in the late 1870s, although there is an afterward, set in 1918.

Sunset and Steel Rails: This narrative is divided into three parts, set in 1884, 1890 and 1900, following the experiences of Sophia Brewer, the granddaughter of Horace “Race” Vining by his wife in Boston. Jilted by her fiancée, bullied and exploited by her older brother, Sophia escapes by taking another name and employment as a Harvey Girl. Finding love and happiness at last, Sophia’s family and friends are threatened by the horrific Galveston Hurricane of 1900. Fredi Steinmetz is a major character in this book. Magda Becker, her daughter Lottie and daughters-in-law Isobel and Jane also appear, as do Peter and Anna Vining, Peter’s nephew Horrie, and George Richter – an infant in The Gathering, and a Confederate Army teamster in The Harvesting. Wash Charpentier, the cowboy turned Pullman porter also appears. Historical characters include Fred Harvey himself, his son and business partner David Benjamin, and cowboy-turned Pinkerton detective Charlie Siringo.
And that’s the run-down – all in order, for those who wish to follow the fortunes of several linked families over 75 years, or who have favorite characters among them. Enjoy!

The Front Cover – if there was ever a dust-jacket, I don’t remember it

Thanks to the wonders of the fully-engaged internet, I finally got around to finding and replacing a book that I had as a kid. It was a collection of poetry, with nice little introductions to each poem aimed at enlightening the junior reader. I certain that I had this book as one of my Christmas or birthday presents sometime between the age of eight – when I began to read confidently – and the age of twelve when I was doing so voraciously. I remembered the poems in the book better than I recollected the title: there was The Lady of Shalott, and The Highwayman, poems by Longfellow, Kipling, Edgar Lee Masters, William Shakespeare, Robert Service and Robert Browning, John Greenleaf Whittier, an excerpt from The Lays of Ancient Rome, a comic bit of verse from W.S. Gilbert, Coleridge’s’ Kublai Khan and a poem by Robert Nathan about two English teenagers venturing to Dunkirk in their own sailboat to rescue the British Army. The poems were enlivened by simple line drawings. Of course, some of these poems were further set in my mind by being assigned to memorize them in Mr. Terranova’s sixth grade class, but in its way, this slim little hardback book was an excellent short compendium of old poetical standards, of the sort that once everyone knew and could recite a verse or two from … or at least recognize an illusion dropped into ordinary conversation or in a popular novel.

Eventually, just about all our childhood books devolved on me. I was the first of my parent’s children to produce offspring, and they took the opportunity of packing up just about every scrap of the remaining kid-lit in their house upon the occasion of the Air Force offering a generous hold baggage allowance after that year that she spent living with my parents. They obligingly directed the packers to the kid-book library, the few personal items of mine left behind, and dispatched them along with my daughter’s hold baggage. But the book of poetry was not among them, although I did look for it, now and again. I can only think that perhaps it was overlooked, or had gravitated to the household of my sister or brothers. In any case, I missed it. All that I could remember was that it was called The Magic Circle. Fruitless looking for it by that name – until a year or so ago when I found it among the used book offerings on Amazon. Yes – that was that very same fabric cover, dark blue with a two-color embossment on the cover of a horse-mounted highwayman under a full moon. I added it to my wish list and ordered it some weeks ago – and there it was, arrived in the mail on Friday.

Yes, the very book that I remembered – although absent the inscription in the front from my parents, noting what birthday or Christmas that it was given to me. It’s about as lovingly worn as my own copy was – and someone took a pencil and wrote “Billy” in block letters along the long side of the pages, and “St Paul” along the top and bottom. But still – the book that I remembered so fondly. I didn’t remember that it was subtitled “Stories and People in Poetry” – but that was a thing obvious.

A Poem about George Washington – Illustrated

I leafed through it – noting that it was edited by Louis Untermeyer. I presume that he wrote the various introductory notes to the poems. And another thing that I noted too – the very maturity of the poems. I mean – it was a casual expectation up until recently that elementary- and middle-school children would eagerly read this material. I leafed – metaphorically – through several recent collections of poetry for children which didn’t contain nearly as many of the classic, heavy-hitter poets of the 19th century as this single volume did. Too many long hard words, I guess. Lots of more modern minor poets in the newer anthologies, most of whom I have never heard of, and materiel written specifically for children. And the categories for the poems were quite a bit more mundane. Looking through The Magic Circle, I see “Strange Tales”, “Gallant Deeds, “Unforgettable People,” “Our American Heritage” and “Ballads of the Old Days” among others. Practically an antique, this collection is – and dear to me because many of the poems were as challenging as they were stirring, not dumbed-down pap meant to be read in a safe space.

Anyway, I’m glad to have it back – even better than I remembered.