It’s going on four years now that Blondie, AKA the Daughter Unit and I hit upon making a variety of gourmet fudge to give as gifts to the neighbors, all attractively packaged in individual papers and pretty containers, and to the various enterprises and public service bodies with whom we do regular business: the Frost Bank branch, the mailman, the express delivery services (if we can catch them), the CPS trash collectors (ditto), the Fire Department substation across the way, and the police substation on Jones Maltsburger, among others. (The FD and PD get perfectly huge platters, because – three shifts, and unless there is plenty of it, the shift on duty when we deliver it, usually around mid-day, will bogart the largest portion thereof. So – we purchase lots of bags of premium chocolate (white, bitter-sweet and milk) from Sams’ Club when it becomes available, a fair amount of evaporated milk, cream, butter, sugar and assorted nuts and dried fruit, and get to work in the kitchen sometime around when we are finished with market events for the year. This year, we had but the one in Goliad last weekend and two publishing clients to attend to – and began on this task this week.
There is always one batch which goes disastrously wrong, for one reason or another, and cannot be salvaged – this year, the batch was the peanut butter fudge. Nothing to be done but throw it out, although some previous disasters have been salvaged and put to other use. The second attempt came out satisfactorily; this particular fudge tastes exactly like the filling in Reeses’ Peanut Butter Cups. This year, Blondie had the notion of adding a layer of milk chocolate swirled through it, so as she was beating in the last addition (of marshmallow fluff) I was melting some milk-chocolate morsels with a bit of cream and powdered sugar, to be dribbled over the finished product spread in a 9×13 pan and swirled through – and yes, the result does taste exactly like the commercial peanut-butter/chocolate fudges that we have tasted. Today – the Bavarian mint fudge, which is the trickiest to do, as one false move and with too many minutes over the double-broiler is apt to turn into grainy chocolate sludge with a layer of grease, all flavored like mint toothpaste, and another particular version, stuffed full of toasted walnuts and pecans, and dribbled with white chocolate threads by way of garnishment. Tomorrow another couple of batches – and then, when we are all done, another batch made from whatever ingredients we have left over in quantity – Blondie has found a plain recipe for butter fudge.
The slabs of cooled fudge accumulate in the refrigerator – by this weekend we can begin to slice and assemble the holiday bounty. By family custom, we stack each piece in a little candy paper, in a nice tin or box. We spend a morning with hygienic blue gloves on our hands, putting the tins/boxes all together – and then the afternoon delivering it. The list of recipients is on the refrigerator … having grown to about forty or fifty. Of course, the first year that we did this, we made a lot, and were reduced to chasing down neighbors – “Merry Christmas, we’ve spoken to you maybe twice, so here’s a box of fudge!”
By the second year, around in November, our closer neighbors were saying, with the begging puppy-dog eyes, “Hey – are y’all doing that fudge this year? That was good … are y’all doing it again?”
We are. So if you are a neighbor – look to it this weekend sometime. Merry Christmas!

Where Santa arrives, mounted on the back of a longhorn, and not in a silly sleigh pulled by wimpy reindeer…

Santa in Goliad, on the back of a suitably-embellished longhorn!

There is a lovely little classical piece by Maurice Ravel – Le Tombeau d Couperin, composed shortly after the end of the war, five of the six movements dedicated to the memory of an individual, and one for a pair of brothers, all close friends of the composer, every one of them fallen in a war of such ghastliness that it not only put paid to a century of optimistic progress, but barely twenty years later it birthed another and hardly less ghastly war. Maurice Ravel himself was overage, under-tall and not in the most robust of health, but such was the sense of national emergency that he volunteered for the military anyway, eventually serving as driver – frequently under fire and in danger. Not the usual place to find one of France’s contemporarily-famous composers, but they did things differently at the end of the 19th century and heading all wide-eyed and optimistic into the 20th. Citizens of the intellectual and artistic ilk were not ashamed of their country, or feel obliged to apologize for a patriotic attachment, or make a show of sullen ingratitude for having been favored by the public in displaying their talents.
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So – Luna City Lucky Seven is finished, changes suggested by the Beta readers have been incorporated – and the latest installment of the Luna City Chronicles is ready to roll, pending arrival of the final cover. Which should happen over the weekend, or perhaps early next week. While I wait on that happy event, I’ve been scribbling away on the first couple of chapters of the Civil War novel, and mentally mapping out a few plot points. This novel, tentatively entitled That Fateful Lightning, follows Minnie Templeton Vining, a Boston lady of certain years. She is a die-hard Abolitionist in the years before the war, and a volunteer nurse during it, as outlined in Sunset and Steel Rails, in which she was a secondary or even tertiary character.

This new project requires me to really begin reading up on contemporary accounts and memoirs – of which there exists a large number. Many of the lady volunteers who took up this heartbreaking task of nursing soldiers under desperately primitive conditions wrote about it all afterwards; after all, the Civil war was the pivotal event of 19th century America. For better or worse, the issue of free-or-slave roiled politics and intellectual life for twenty years before, and the aftermath of the fighting left scars which, as of a century and a half later, are still vivid and raw. Thanks to having been a devoted reader of American Heritage as a tween and teen, thanks to Mom’s life-long subscription, I have always known this in outline, and in small tableaus – but not in such depth and detail that I could write convincingly and authoritatively about it from the point of view of a woman completely immersed, day to day, in both these issues.

So – another long, deep immersion in memoirs and letter collections – facilitated by the fact that most of the women who penned accounts of their heroic labors in field hospitals, in organizing fairs and markets to fund the purchase of medical supplies and comforts, and the rounds of public speaking and article-scribbling – are mostly obscure these days; their memoirs, letters and diaries are mostly in the public domain and free. Which is another nice benefit, since I am not anywhere near the income level of those authors who can command huge advances from a publisher, a guest shot on the Today Show, or The View, or a carefully-engineered position on the New York Times best-seller list.

Me at a recent Halloween market, as Queen Victoria

The other nice benefit reading this kind of material is that one is able to absorb the vocabulary, those thought-patterns and attitudes of the time. To me, there is no bigger crime in the historical-novel-scribbling set than that of ‘presentism’ – that is, basically dressing up modern characters in period clothing and having them walk through a 21st century plot. The past is a foreign country – they do things differently there. One might as well start with reading the authentic words of the residents. Histories are a useful adjunct to all this, but the problem with that is that the professionals all have their own biases and perceptions – and since so many of the female Civil War memoirists were concurrently, or later involved in various feminist crusades … I do not want to be put through the necessity of fighting my way through a bramble of biases. The original biases of the ladies involved is quite sufficient, thank you. The third nice benefit is that I can count on running across events, characters, small exchanges which will inspire plot twists and secondary characters for That Fateful Lightening. This turns up interesting things as a result. Well, interesting things to me, hunting scavenger-like for interesting bits of fact, turns of phrase, coincidences, and personalities – I swear, most of the plot turns in the Adelsverein Trilogy came about because I ran into something in the research reading and thought, “Ohhh! This has to be in The Book!”

The first such volume I have begun reading is a collection of letters, letters from and to a once-notable Quaker activist named Abigail Hopper Gibbons; who campaigned for various worthy charities benefiting women and orphaned children, the elderly, abolition of slavery, the Sanitary Comission (which provided medical care for soldiers during the war) the welfare of veterans and woman’s rights. She was happily married, it appears, and raised six children with her husband. Alas, one died as an infant, another at the age of five years old, and a third while in college after an accidental fall. She was a good friend of Lucretia Mott, who was also a very good friend of Elizabeth Cady Stanton – all these people tended to know each other, I gather – or at the very least, knew of each other. These ladies and a dozen others of whom I have collected up their memoirs would appear to have been very far from being meek, submissive, conventional image of a Victorian lady, sitting passively in her parlor embroidering and murmuring, “Yes, dear,” while her husband pontificated.

In fact, these ladies, in their corsets and bonnets, and skirts to the toes of their high-buttoned boots, threw themselves into battle-field nursing, operating field kitchens, fund-raising to purchase supplies, and personally overseeing the delivery of those supplies to hospitals. They were real fire-crackers, these ladies – and it’s going to be an adventure, exploring their world and their words.

 

Oh, wow – is the first week of October already done? Guess it is; the pension got paid, and all the bills are lined up like dominoes. The biggest one is for the roof replacement, and the Magnificent Catio, which will not be completely paid for until after the end of the year. Still, I don’t regret the expense. The roof was about three or four years past it’s ‘best if used by’ date, and the Magnificent Catio, now houses full-time those cats taken on by my daughter whose careless toilet habits render them unsuitable for indoor residence. Seriously, they are the feline equivalent of guys who cannot hit the urinal, prompting the lament, “Couldn’t you just stand in it and aim out?” The Catio makes it easier to keep the house clean and ready for visitors at a moment’s notice, and at some day in the next decade, given the fact that the oldest offender must be almost twenty years old already (he’s one of the cats we inherited from Mom), we will have a very pleasant covered screened-porch patio, although we might have to have it pressure-washed hard enough to take a layer off the concrete brick flooring materiel.

The oldest of the dogs, Connor the Malti-Poo is now twenty or even more (he was an older dog when we found him, dumped in the next neighborhood over, and that was some years ago), and beginning to fail, so that is another sorrow to face, in the very near future. I have already determined that I will not coax out another few months of existence for him through heroic medical measures. He is already half-blind, mostly deaf, sprinkled with excessive moles, getting senile and with a slightly diminished appetite for food or walkies … Sometime in the next few months, I think, while he still has a little joy in his doggie life, rather than torment him with endless and futile trips to the vet. I wish that I have – as Dad did – those means of doing it relatively painlessly at home, but Connor has always been a very social little dog, and he will likely take considerable enjoyment out of that last trip to the vet, and we will stay with him to the very last. But enough of that.

Luna City Lucky Seven is done – out to the volunteer alpha-readers. And I had an impulse, once I was done with my work for the Teeny Publishing Bidness today, to scribble a bit on one of the proposed next books, the one set in the lead up to and in the Civil War … but here it is, almost time to start fixing supper. The Teeny Publishing Bidness client is coming tomorrow, to collect the most recent installment of his manuscript, now with even more pictures which he judges worthy of inclusion, and the first version of the cover design, which was the Daughter Unit’s artistic inspiration. The Daughter Unit has also taken on – with insane thoroughness – a paid research job for a mutual friend who has real estate property interests in what amounts to an underdeveloped portion of the city. The Daughter Unit describes this as administering a community-based colonoscopy – sorting out the things that would work, and what real estate development would best work, plus a myriad other interesting stats, like the registered sex offenders per square mile. This actually involves going and talking to people in the targeted neighborhood and drafting a prospectus for potential investors. This is a job that came out of the blue – and the Daughter Unit is making the most of it. So far, the client is pleased. It’s a short-term assignment, but we hope that it will lead to other assignments of this kind, for this client and others.

For myself, I am now onto the second chapter of the Civil War novel – with a fortyish heroine who becomes an abolitionist lecturer before the war and a nurse during it. (Great-Aunt Minnie Vining, who appears briefly in Sunset and Steel Rails.) Overall plot is still a little unfocused, but I am starting to be drawn into the world of mid-19th century feminist activism, possibly as a strong reaction to the current version. There were so many strong, passionate, nonconformist women involved in the abolition movement – and other social movements – who did not seem to be the least constrained by Victorian conventionalities; Julia Ward Howe and Clara Barton were not singular curiosities. They had plenty of company.