08. November 2022 · Comments Off on Cats, Luna City 11, and Things · Categories: Domestic, Luna City

Now that I am done with the extended job for hire, I can turn my attention and energy back to the usual routine – like my own books, ‘n stuff, which projects have been in abeyance for months. On the good side, I polished off the last of Luna City #11 – which will rejoice in the title of “Luna City 11th Inning Stretch’ – the ebook version will be available for pre-order later this month, the print version shortly afterward. There will be a Luna City #12, which eventually will be collected into a single compendium volume with books 10 and eleven. I’ll probably pull the plug on the individual print books in a year or so, and just have them in print as part of the compendiums.

It feels good to have the extended job for hire done – it paid some substantial bills and allowed me to look at the close of this year and the starting off the next with a clean slate. In the meantime and if my daughter has real estate business to attend to, I walk the dogs in the early morning, and then walk with Wee Jamie the Wonder Grandson in his stroller. Up to the top of the neighborhood, across to the other side, saying good morning to the other regular walkers, joggers, dog-walkers, dogs and cats as we meet them. Most of the neighbors know us, and we know them; practically everyone who came to Wee Jamie’s baby shower was a neighbor, and all unite in admiring his charm, his happy and outgoing nature, and his rate of growth.

There are several cats of particular note in the neighborhood; there is a lovely and friendly Siamese about a block up from our house, whom we do not see very often, but she is more approachable than the usual run of Siamese. On one of the major cross streets lives a brindle cat with a white nose and white feet, whom we nicknamed “Socksie” as it looked as if he had ankle socks on his front feet and knee-socks on his hinder legs. Socksie is the king of his block, and always comes running to meet us, if he wasn’t off doing cat-things. His family recently adopted a bitty buddy for him – another brindle kitten with white feet – and we promptly named Socksie’s little brother “Underpantsie”. They are both very happy to see us, in any event. Then there is a black and white cat who hangs out in front of his people’s house on another street, but Chopper is only occasionally friendly, depending on his mood of the moment. Chopper lives down the street from where Tommy, the big orange and white cat used to live. Tommy was king of that particular block, and lived to the very great age of 22; outstanding for an indoor-outdoor cat. When he passed on to the Great Litterbox In the Sky, all the neighbors posted pictures of and elegies to him on Nextdoor – Tommy was that famous.

The last cats on our walking route are actually a mob of pets and semi-ferals, who live around a cluster of houses on the far side of the neighborhood. They really aren’t too popular with the near neighbors, because many are outdoors cats and don’t seem to have serious owners. We got Miso from that mob, and her sister, Snowy for another neighbor – two white kittens who likely wouldn’t have lasted very long as outdoors cats, what with owls, hawks, coyotes, stray dogs and speeding cars. But we stop and dribble out a little kibble for them – all the ones who come running when they see Wee Jamie’s stroller, some of whom will ask for a friendly skritch, as well.

It rather seems, reading some of the movie and book criticism from various angles and for various recent mass-entertainment productions (both literary and cinegraphic) that the necessity for a female character to be a strong, fearless, unstoppable Mary Sue, without flaw and above reproach has overridden any impulse to tell a good story with believable human beings … which ultimately makes for bad and unrealistic storytelling. There’s no dramatic potential in a basically flawless character. Apparently, the audience is supposed to stand about, slack-jawed in appreciation of the amazingness of such paragons of female perfection.

Which is kind of sad, really; an offense against the concept of an author being the creator of entertaining stories and interesting characters. It limits the story-teller to just a few predictable tropes; no room for creating real, human, relatable and sympathetic characters. I do like to think I have managed to avoid such tropes, mostly because I’ve always tried to simply create characters, interesting and complicated characters, whose maleness or femaleness is just one single aspect of their character and their story arc. For my first two historicals, To Truckee’s Trail and the Adelsverein Trilogy, the standout, and tent-pole characters (that is – the characters who hold up the whole thing) were male: Dr. John Townsend of wagon train fame (who was a real person, BTW) and early Texas Ranger and Goliad Massacre survivor Carl Becker. (Created out of whole cloth.) But as essential elements of the plot, they were matched with able and strong female characters. Dr. Townsend had his wife Elizabeth, who started as a near-invalid and finished as a member of the party chosen to be part of the horseback rescue party when the wagon train was close to being stranded by show in the high Sierras, as well as the temporary single mother Isabella Patterson, determined to get her wagon and brood of children safely over the wilderness trail to rejoin her husband in California. Carl Becker was matched with Magda Vogel, the immigrant German girl, who was by way of being a tentpole character herself – backbone of her family, wife, mother and eventually the matriarch of her extended family. But she started the arc of that narrative as a slightly awkward but intellectually inclined teenager.

Carl Becker’s sister Margaret was merely a walk-on in the Trilogy, but she was the main character in the next two novels. (Daughter of Texas and Deep in the Heart), growing from a dreamy girl into that strong woman – but it was in progression, and for a good part of the way, Margaret was mainly motivated by suppressed fury and resentment over how she had inevitably been let down by every single significant man in her life that she had really depended on. She finished that arc in finally appreciating and loving that brainy but socially unskilled man who adored her unreservedly, and who never had let her down … and whom she had rather overlooked for years. So much for a strong woman.

All the other historical novels save one, The Golden Road, focused on female characters, front and center. Golden Road featured an older teen boy, Fredi Steinmetz, and his adventures in the goldmines and boomtowns of 1850s California – adventures which mostly meant that the other main characters were male, although at the end, one of his associates there turned out to be a girl masquerading as a boy, for reasons of keeping a low profile in a society in which women were few and far between. As that disguised girl acerbically pointed out to Fredi, in that place and time, no one paid any notice to a boy – but everyone noticed a woman. And that character had darned good reasons for wanting to be persistently unnoticed. She also had specific knowledge of placer mining and a set of her dead older brothers clothing to make the disguise good, until … well, never mind. Don’t want to give up too much plot.

The next three novels, which were follow-ons to the Trilogy focused chiefly on female leads – but none of the women involved started as faultless, perfect, and overwhelmingly charming Mary Sue types. Isobel and Jane, in The Quivera Trail began as Victorian women, straitjacketed, and strangled in the expectations which their relative social class placed them: Isobel the lady, who knew herself to be fat, clumsy, and socially inept, and her personal lady’s maid Jane, hampered by the limitations expected of her comparatively lowly background. Both managed, once they were set loose in Bicentennial-era America, to discover that they could be a bit more than what had originally been demanded and expected of them. I had enormous fun writing that book looking at the manner in which a fair number of Victorian-era ladies managed to overturn all conventional roles and still live quite satisfactory lives on their own terms. The husbands whom Isobel and Jane attracted were also fully fleshed individuals, by the way. I did get a bit of ironic satisfaction out of making their characters authentically pure in a Victorian manner – that they really did long to be married to manly men and accepted without question that their ultimate role in life was to be a wife and mother … but also as a side-line, to support their husbands as the second-in-command authority of whatever enterprise their husbands operated. Sophia, in Sunset and Steel Rails also followed that path, although with a stint of work as an independent woman in one of those businesses which did offer very fair terms of employment to women in the late 19th century. That would be the fearsomely high-class and high-standard hospitality national corporation, Fred Harvey Company. The Fred Harvey Company was almost a hundred years ahead of anything else which could be classified as a national hospitality chain, so that book offered me an opportunity to explore that aspect of the late 19th century frontier.

As for the most recent historical, My Dear Cousin, the whole concept is based on a matched pair of mid-century American women experiencing a world war – one as a wife and mother, the other as a military nurse, holding her own as a woman in a male-dominated sphere. Neither Peg or Vennie are wonder woman, or Mary Sue; just two young women doing the best that they can in a world which went from tranquil to perilous in the blink of an eye. Comment as you wish.

It’s one of those things, a series which I have had a lot of enjoyment out of writing – the Luna City series, for which my daughter and I had the brainstorm for creating a few years ago. A cast of scores of characters in every walk of life, a nice romp through the vagaries of eccentric personalities and comedy of small-town south Texas, the present day and a lot of real-life overlap… and before readers get all in a twist – no, the series is not coming to an end. No, not really. It’s been written in real time, starting in 2006, sometimes going slightly ahead of real time – and now coming up to a couple of real-time deadlines. Several real-time and no-kidding deadlines, in that two of the people who were our real-life inspiration for characters in Luna City have passed away for good and all. That’s not important, really – but there is one dramatic thread above all which dictates a conclusion of sorts; that Richard will marry Katie Heisel, in spite of all the dramatic quirks and turns of plots that we can throw in front of them. He is, over theatrical and usually screaming protest, finally acknowledging his development and his responsibilities as a mature human adult of our species. That kind of development is a certain death to a series which played on romantic tension in part or whole – witness how Moonlighting ran out of gas as did Northern Exposure, that series which inspired Luna City to start with. A large part of Luna City’s plot is that Richard began as an immature, spoiled and unthinking, juvenile a-hole … and that over the course of the series he has belatedly and with emphatic nudges from the denizens of Luna City, working past all that. He has been given a second chance to become a responsible, adult human being … he does meet the challenge. He has acquired, sequentially, a potted plant, a pet … and eventually a love of his life. He will be set on the pathway to being an adult… and that character arc will come to an end. A nice and complete story.

Other characters have also been working through a milder story arc: Jess and Joe working past their old lost loves, and becoming a family, Araceli coming into her own as the boss manager that was already within her … a collection of minor arcs reaching a satisfactory conclusion. Life does go on, you know. People grow, develop, have adventures of a sort, and for most of us – we settle down and have a contented life.

We are also coming up to the real-life circumstance of the beginning of the Covid epidemic … and really, I don’t want to deal with that, fiction-wise. It’s just too depressing, in a series which is primarily expected to be gentle and comic escapism. Luna City is an refuge from horrid reality, for me as well as readers and fans Writing about the impact of Covid would have put a screaming halt to everything in a small-town public life; the future of the Café as a small business, as well as business at the Cattlemen Hotel and at Mills Farm; the schools closed – no community frolics and festivals, no Homecoming game or Friday night football, no 4th of July or Founder’s Day celebrations. It would have spoiled the fun of readers and myself, in writing about it all in accordance with what actually transpired in 2020 through early 2022. So there will be a nice round finish to the grand arc at 12 volumes, concluding in early 2020 … or sometime in the next six months or so.

But this does not mean the end of Luna City – oh, no – most definitely not. There is a cast of scores, all with their own stories and concerns, and I intend to write them all, within the confines of that charming little town in Karnes County. One of the temptations for me is a series of historic escapades and mysteries involving the chief of police in the 1920s and 1930s – Alister McGill, and his sidekick, the elderly retired Texas Ranger, John Drury, assisted by the gang of teen and tween children; Douglas and Letty McAllister, and their friends, Stephen Wyler and Artie Vaughn – a kind of American version of Emil and the Detectives. There are dozens of potential stories, in the lives of all the varied cast of characters – the many cousins of the Gonzales and Gonzalez characters.

So that is where that goes. Comment as you wish.

20. September 2022 · Comments Off on Memories of the Opera · Categories: Memoir

The local classical station was playing the overture to Lehar’s Merry Widow operetta just now, and I was reminded once again of how very, very popular that musical was, in that halcyon period before the Great War, which turned out to be World War I, the first in an ongoing series. The melodies were infectiously toe-tapping and hummable, the operetta itself, incredibly popular – everyone went to see it; essentially a blockbuster about eighty years before the concept was invented for movies. The music went around the world; it seems that nothing presented on stage was so insanely popular until at least half a century later. Musical historians estimate that it got produced around the globe in every single city with pretentions to a music industry, and got tied into advertising everything from woman’s hats, to corsets, chocolates and whatever.

And when the Girl Scout troop that I belonged to went on a grand European tour – of the student charter flight-youth-hostel-EurRail variety – in the summer of 1970, we went to the Vienna Opera and watched a stage production of the Merry Widow … from the very top balcony, because we were all teenagers and on a budget. I don’t think that there were seats for us in the nosebleed row – it may have been standing room only. The view of the stage was amazing – honestly, the leading ladies’ decolletage looked as big as a tea-tray, from a vantage point so far up in the eaves and looking almost straight down at the stage. (It was standing room also when we went to see a performance of Richard III at the Shakespeare Theater in Stratford. I still have the program for that: Patrick Stewart was in the cast. When I went to the science fiction conventions in Salt Lake City in the mid-1980s and mentioned this to someone standing in line to get an autograph from Armin Shimerman, they said that I should go to a Star Trek convention where Patrick Stewart was appearing and freak him the hell out by asking him to sign it. Eh.)

I was one of those in the group who had a somewhat imprecise grasp of German, and also a knowledge of classical music, so it was bound on me to tell the other girls in whispers exactly what was going on, plot-wise. Which was a fairly simple task, based on what I already knew, thanks to being marinated in classical music, thanks to Mom, who had KPAC on all day, every day. The music was the important element, though – I think we all left humming the main waltz theme.

We were staying in a youth hostel in Esterhazy Park, not very far from the opera house – an old Nazi air raid shelter, which is now a dungeon museum. Probably a much more suitable use for the place. I rather liked Vienna, all things considered – it reminded me most of London, with ancient churches, palaces and parks around ever corner, all dusted with the faintly shabby air of an empire long gone.

We took Wee Jamie on another road trip, this last weekend. My daughter and I have decided that we should dedicate one day a week to “Not Doing Work Stuff” – and have an outing of at least half a day, doing something … something diverting. This long weekend demanded a whole day of ‘Not Doing Work Stuff.’ My daughter suggested a road trip to Fredericksburg, and I thought that we should check out the Museum of the Pacific War, as it has been at least five years since I visited it. It was indisputably the last war which we won, after all. The first time I went to the War Museum was maybe in 1995 – when it was all still contained in the old Nimitz Hotel on Main Street, and an annex down the road – IIRC, a side-less pole barn. (And Fredericksburg was still a sleepy little town with an attractive Main Street, with local-oriented business situated in profitable commercial real estate, where they tended to close shop and roll up the sidewalks at about 5 PM. Well, that has come to a screeching halt, I assure you.)

We took the back way, to Fredericksburg, after stopping at a local restaurant for a breakfast which turned out to be more substantial than expected – a local outlet for the Maple Biscuit Company. The fresh-squeeze orange juice was fantastic, and yes, I would know about all that, having grown up with orange trees in the back yard. The biscuits and sausage gravy were so generous and so good that we were resolved to split an order next time. (This was the last place I saw anyone wearing a mask, BTW. The staff were all masked-up.) The back way to Fredericksburg meant driving up 281 to Johnson City, passing memories all the way; Blanco, where we had done market events at the Old Courthouse, and where once we scored some amazing deals at an estate sale at an old house just off the highway. Johnson City, where we had a wonderfully fun three-day long market one year, for the lighting of the Courthouse, the weekend after Thanksgiving. (We had to stay two nights for that in a cabin at the Miller Creek RV resort, which meant that we barely broke even.)

Johnson City, when I first went through in the late 1990s, was sad and depressing in comparison to Fredericksburg. It seemed to be hanging on based on the relation to LBJ, the Johnson ranch and various residences where LBJ’s family had lived. Now it is the beginning of the Texas Wine Road and has a new lease on tourist life. Some years ago, I had suggested that the Hill Country had all the components save castles, villas, and quaint hilltop towns to become the New Provence, since they produce such Frenchified specialty items as lavender, wine, olive oil, goat milk cheeses … and wine. Oh my gosh, have they gone into producing wine. Someone has even built a castle! The usual maps of the Texas Wine Road usually include only the top twelve or fifteen of the biggest and most well-established of the wineries along 290 – or at least, those with the flashiest central building. As we discovered, just about every commercial or retail business along that road was posted as a winery, and even a couple of places, like Wildseed Farms, which initially specialized in some other commodity – like peaches or wildflower seeds – had added on a wine tasting room. If you started at the two wineries just outside Johnson City to the south and stopped at every single winery or tasting room and had a single glass … your liver would be screaming for mercy when you got to Stonewall, and you’d be on the list for a liver transplant once you got beyond Fredericksburg itself.

Yes, it looks as if every ambitious vintner wants a piece of the Hill country – and it appeared they were all doing a land office business, judging by the number of cars in the parking lots, even on a Sunday. As for the wineries and tasting rooms in Fredericksburg itself – the sidewalks and businesses were jammed; families, with children and dogs. If there is a recession in our future, it certainly wasn’t in sight in Fredericksburg; shoppers were out in force, and it looked as if all the restaurants and specialty shops were crowded with shoppers, whole families with small children, babies in strollers and dogs on a leash. However, I must regretfully admit that inflation is clearly out in force. My very favorite vintage from the Fredericksburg Winery – the Fredericksburg & Northern Red, is about ten dollars more a bottle then it was, when I first started buying it. A couple of years ago, someone who studies this kind of thing noted that the Hill Country was where Napa, Sonoma and Mendocino were thirty and forty years ago, as far as wine production went.

I wanted to see if the War Museum had ever managed to put all the relics of that war which they had in the archives on display. One of my favorite displays in the ‘liberated POW division’ was a pair of panties and a bra crocheted out of cotton string, made by one of the military nurses during her time of incarceration at the Santo Tomas internment camp. Alas, that still wasn’t an item on display, among several other clothing relics of civilian internment. When they first put up the main building for the museum, it was essentially a bare warehouse with some vehicles and aircraft parked in it, then a series of full-size dioramas, and then … well, more and more and more. It is now a tightly organized maze of displays, with arrows on the floors, and all kinds of interactive displays and videos. They have a whole B-24 on display to memorialize the Dolittle Raid, and an entire Japanese mini-sub (found adrift shortly after the raid) for the Pearl Harbor section. Models of ships, galore – I was interested to see one of the Lanakai, which had an amazing escape from the Philippines early in 1942. The Lanakai was an old sailing yacht with a diesel engine, which bounced around among various missions, owners, and nations, including being a movie prop ship, converted to military purposes as circumstances dictated. The escape of the ship and crew from the Philippines would make an amazing adventure movie – but never mind. I was glad to see that note was made of the fall of Singapore, since that features so heavily in my own last historical novel. There was not much mention made of campaigns in New Guinea and Malaya; of intense interest to Australians and Brits … but I guess there is only so much room in a museum like this, where the initial focus was on Admiral Chester Nimitz and the American campaigns.

It was so refreshing, all this crowded, happy normality – people having fun, crowding the shops and restaurants, spending money, enjoying themselves. Wee Jamie charmed everyone, and was incredibly well-behaved through the whole day, even if it was a considerable break from his routine. A woman standing next to me in the Fischer & Wieser outlet commented to her friend that she had never seen so many so many cute children and darling, friendly dogs in one single day. And I said, “Well, of course – we breed both in Texas!”