Final Cover with Lettering(Working away at the two upcoming book projects – and have completed a chapter of the Luna City chronicles … yes, what happens at the Luna Moths Homecoming game this year … an event which seems to be erratically cursed.)

Autumn had begun to touch the oaks and sycamores with gold; the nights and days were already cooler by several degrees. Both Luna City schools began their fall term; once again, the strains of Sousa, Alford and Orff floated on the early morning air early on Tuesday and Thursday mornings, for Coach Garrett was a martinet when it came to band practice. The new school bus – with all the latest and most high-end bells and whistles available – circulated through the streets and country roads like some mammoth orange fish, retractable stop signs on either side flapping open and shut like monstrous gills, and all lights blinking on and off. Petra Gonzalez, the regular Luna City School District bus driver had not quite gotten the hang of the new bus, being that it was a considerable leap forward, technologically-speaking from the previous iteration. (The previous bus had become unreliable in the extreme, to the point of barely making it out of the school bus barn, and so the Luna City PTA held a series of fund drives.)

“It’s quiet,” Joe Vaughn complained one morning, as he sat with Jess Abernathy at a sidewalk table out in front of the Luna Café and Coffee. “Too quiet; like the lull before the storm.”

“You always say that before Founder’s Day,” Jess reminded him, and Joe scowled.

“It’s not Founder’s Day,” he replied. “That’s only a matter of practicing good community policing … and keeping ready to drop on visiting dirtbags. It’s the Homecoming game that keeps me up at night.”

“Yeah, I’ve been meaning to talk to you about that,” Jess quoted their conversation of the night before. “’Come to bed, sweetie,’ ‘Sorry babe, I can’t sleep’ – because you are walking the floor, worrying about what fresh hell awaits. Nothing happened last year, the year before, or the year before that.”

“But something will happen,” Joe scowled even more. “That it didn’t happen last year, or the year before – that just ups the odds that something will happen this year. Something always happens, every three or four years.”

“I think you’re being unnecessarily paranoid, Joe,” Jess argued, although she was also well aware of the erratic series of disasters which had plagued Moths homecoming game since time immemorial.

“It’s not paranoid to take a realistic view of the situation,” Joe replied, and began ticking off events on his fingers. “The plague of frogs in ’84, Hurricane Gilbert in ’88, the sudden sink-hole in the end zone in ’91 or ’92, the *sshole prankster with the live beaver in ‘96 … and no, that was not my circus and not my monkey.” More »

26. August 2015 · Comments Off on Sunset and Steel Rails – Yet Another Chapter · Categories: Chapters From the Latest Book, Old West

Sunset and Steel Rails Mockup Cover Pics with titles

(All right, then – I have been working away on one of the works in progress – a continuation of the family saga established in the Adelsverein Trilogy, and suggested in the Daughter of Texas/Deep in the Heart prelude. What happens when the granddaughter of Race Vining’s wife in Boston comes west … and marries peripatetic adventurer and long-time bachelor Fredi Steinmetz?)

Chapter 20 – A Man of Family

“Sophie, my dear,” said Lottie Thurmond on the occasion of the baptism of the Steinmetz’ sixth child and third son, “When I suggested after your wedding – and it was only a suggestion, mind you, although based on Scriptural authority – that you and Fred should go fourth and multiply, I did not for a moment think that you should take me so literally. It’s as if you are attempting to fill the children’s Sunday school single-handed.”
“We love children,” Sophia replied, serenely. She settled baby Christian to a more comfortable position in her lap. “And we agreed that we would try and have a large family.”
“Yes, but it must seem as if every time Fred throws his trousers on the foot of the bed, you are in the family way again. Six children in ten years! At this rate, you will never get your figure entirely back.”
“I don’t care,” Sophia smiled at her friend. They were sitting in the parlor of Lottie’s house. “Looking after the children and the house keeps me thin, and I never was very plump to begin with.”
“At least, motherhood suits you,” Lottie acknowledged in humorous resignation. “And you are happy in it. And fatherhood suits Fred – who would have ever thought it!”
Out in the garden, Fred was throwing horses-shoes with the older children, while Frank Thurmond smoked a cigar in the shade of the one cottonwood tree in the Thurmond’s garden. Lottie despaired of ever having grass grow in it, and had settled on raked gravel and pots of shrubs and flowers. Now the children romped with happy energy, little constrained by their good Sunday clothes, for Sophia had long decided to be practical. Minnie, Carlotta and Annabelle all wore sailor dresses of stout broadcloth, in the same general cut, and handed down from sister to sister, as they grew. Their brothers Charles Henry and Fred Harvey would likely follow the same pattern as far as hand-me-down clothing went. They were stair-step children, from Minnie down to the toddler Fred, although Annabelle and Charles Henry were twins, and otherwise identical. This had pleased Fred Steinmetz very much. He reminded Sophia that he was a twin himself, and there was a pair of twins in his sister’s family as well. Sophia loved them all with fierce affection, although if pressed, she would have to confess that she was especially fond of Minnie, grave and intelligent beyond her nine years. It seemed that she had inherited Great Aunt Minnie’s intellectual leanings along with the name.
“So, this journey to Galveston is still in your plans?” Lottie asked.
“Oh, yes. It’s going to be quite an occasion for all of Fred’s relations – the wedding of his oldest nephew’s daughter. And it will be the first time that I will be meeting most of them. His sister and her son and daughter-in-law came out to Deming four years ago, so I have met them – her son was the one who painted those perfectly splendid pictures which you admired so much in our parlor. My friend Laura, whom I shared a room with the first year that I worked for the Harvey House? She lives there now. In her letters, she says such wonderful things – so very modern and fine! The seashore there is marvelous, and it is almost the richest town in Texas … and I am actually looking forward to it. It’s been … it seems like forever since I saw an ocean.”
“You still don’t sound as if you are looking forward to it,” Lottie observed, acutely, and Sophia sighed. “Is it the thought of a long train journey?”
“No – I still adore traveling by train, and I have friends in so many places! The children will love the excursion, I am certain …”
“Fred’s family, then?”
“No, although it will be quite daunting for us; Fred married me so very late … all his sisters and his brothers’ children are quite grown, so much older than our little gaggle. I imagine that I will be the object of considerable curiosity… but his sister is quite the queenly matriarch, and she approves of me, at any rate. No, it’s my nephew, Richie. He’s going to come to Galveston too … with the intention of seeing me.”
“Oh, dear.” Lottie sat back in her chair, entirely sympathetic. “So that is it … this will be the son of your brother? He went to a great deal of trouble to locate you, and assure himself that you were still alive, my dear Sophie. Do you have reason to fear his interest, in some way?”
“I don’t know,” Sophia answered, bleak and miserable. She was glad that Fred and the other children were all outside. “He was a pleasant and very charming boy, and his letters to me are affectionate and what one would expect … but he was only the age of Minnie when I last saw him. My brother also appeared to everyone to be a pleasant and charming boy … but he was a monster. Once that one has been fooled in so significant a manner, one will always have doubts about one’s judgement of character, you see. And it is not just me, but our children. He is a grown man himself, now – and I fear that he will have turned out like his father.”
“Fred will be there,” Lottie spoke with stout assurance. “And all of his family; he certainly will not permit anyone to do harm to you – or the little ones, either.”
“I suppose,” Sophia acknowledged, for that was a comfortable consideration. “Fifteen years – nearly sixteen – is a long time, time in which I have put aside so much of the girl that I used to be. I hate any reminder now, of how persecuted and desperate I was. Lottie – my best friends and dearest kin – they turned their backs on me, and I was helpless! I had nowhere to go, no means of throwing back the calumnies that they heaped upon me!” Distressed and agitated, she wrung her hands together – this was the first time that she had been able to speak of her fears freely, to an understanding person. “I do not like being reminded of that person that I once was, Lottie … I fear that I might be thrown back into that helpless state of mind…”
“But you are not that helpless girl any more,” Lottie reached out her hands and captured Sophia’s in hers. “You became a strong and independent woman, with a darling family and friends who would not consider turning their back on you in distress. We become many people in our lives, as we pass through the stages of womanhood. I am no longer the sweet obedient belle that my mother sent out to snag a rich husband and you are no longer that desperate girl, escaping your brother’s machinations. Nothing in our lives can no put us back to what we were, once … not after so long a time has passed.”
“I suppose so,” Sophia confessed, somewhat comforted by Lottie’s vehemence. “And I will do my best to recall your words.”
“Do, my dear. When are you leaving for Galveston?”
“A week from tomorrow; we’ll go as far as San Antonio on the regular Pullman coach. The family has a most splendid parlor car of their own, and we’ll go on to Galveston together with those relations who live there.”
“It sounds as if it will be a wonderful excursion,” Lottie assured her. “You must write me of every detail.”

* * *

San Antonio
August 21, 1900
My dear Lottie:
Here we are safely arrived in San Antonio after our rather tiring journey. The dear children and I are all well, as is darling F. He sends his best wishes, and says that you and Frank would likely not recognize your old haunts! The old city is much changed – as have many cities – most especially by the arrival of the railroad. Little remains of the old Spanish citadel save the original chapel, now that the Army has established their new post in the hills to the north of town. The children have enjoyed the journey so far, and have been most angelic in their behavior, and Min has asked me the most searching questions – such a solemn little Miss!
Here we have met with the closer portion of F.’s family; his older sister Magda Becker, her two sons and two daughters, all with their wives and children. There is a certain consistency in appearance, by which we discern that branch of the family – a tendency to be tall, with very fair straight hair and blue eyes. The family of F.’s other sister, the Richters, (both she and her husband are deceased, alas) are also uniformly recognizable by appearance: rather shorter, with very dark hair and eyes of a brown hue. This is all complicated somewhat by intermarriage. To my astonishment, there is also a portion of the family with the surname of Vining – the very name of my maternal grandfather – and I was first assumed on the basis of my own appearance to be a connection of theirs.
On the morrow, we depart in a large party for Galveston …

* * *

Sophia omitted from her letter to Lottie one or two of the most awkward moments; once when she overheard Magda Becker’s younger daughter Charlotte Bertrand remark in astonishment to her sister-in-law,
“She is so young! Where on earth did Onkel Fredi meet up with her – I sincerely hope it was not some low dance-hall!”
Jane, the sister-in-law was the wife of Sam Becker the painter; they had stayed in Deming for several weeks, so that Sam could paint some lovely landscapes in New Mexico. Jane now replied,
“No, dear – she was working at a Harvey house. Her family was most respectable, but they fell on hard times.”
“Oh, I see.” Sophia was about to tiptoe away quietly from the doorway out to the terrace of the Richter mansion, before her presence was noted, but for Charlotte Bertrand observing,
“It is curious, though … she resembles Cousin Horrie in almost every particular. They could be brother and sister, almost. Have you noticed?”
“I can’t say that I have,” Jane replied. Shaken, Sophia slipped away. Was there some closer connection to these Texas Vinings?

The question weighed on her, especially when the Vinings – connected by marriage to both families – arrived from Austin within days; Peter Vining, the patriarch of that branch with his wife Anna – whom Sophia recalled with particular fondness from that brief meeting in Newton, at the start of her time in Fred Harvey company. Peter Vining also brought his daughter Rose and his nephew, that Horrie Vining which she was herself said to resemble. As Horrie and his wife were little older than Sophia herself, their children were of an age to be playmates with Fred and Sophia’s children.
Sophia had to admit, the likeness between herself and Horrie was more than a little unsettling; of the same light frame physically, but cast in a masculine mold, the same shape to their faces, eyes of the same blue-grey color … and the same tightly-curling light brown hair. Horrie Vining was the very image of young Grandfather Vining, in that antique portrait of he and Great-Aunt Minnie, which once had hung in the old Vining mansion on Beacon Hill.

24. August 2015 · Comments Off on Tales of Luna City – Café Audition · Categories: Chapters From the Latest Book, Luna City

(Another chapter in the continuing series about Luna City, Texas: Richard, the so-called bad boy chef, fleeing certain professional and human disasters, has been offered an opportunity to manage the Luna City Café.)

Final Cover with LetteringMindful of Dr. Wyler’s admonition – to appear at the Luna City Café at 10 AM, clean, sharp, sober and dressed, Richard Astor-Hall did not overindulge; that evening, he had a glass or two of the rather nice Texas chardonnay from the bottle in the tiny fridge, which the Gonzalez housekeeping ladies had thoughtfully placed there, along with some milk, a package of bacon, a box of teabags and another of sugar cubes, half a dozen eggs and a loaf of bread. The wine and bread went splendidly with the caldo. He whiled away the remainder of the day trying on the castoff clothing – which generally fitted him well and had the additional and supremely attractive virtue of being clean – and reading Larousse Gastronomique, while wondering what it was that Dr. Wyler had in mind. It was an amazingly restful afternoon and evening, unmarred by the constant buzzing and beeping of his cellphone.

He woke with the sunrise – no, it could not possibly be anywhere near 10 AM – the sunrise was a mere pale primrose band, just above the wooded horizon. Richard dressed hastily in a pair of board shorts and a tee-shirt chosen totally at random. The tee-shirt had FBI written in large letters across the chest, and something below it in smaller letters. Looking out across the deserted campground, he watched a brief pale mist rising like smoke from the river, and noted that one of his erstwhile hosts was out in the goat field, towing a small cart on spindly bicycle wheels. From the manner in which the goats – large and small – were gathering enthusiastically around the cart, Richard assumed that it must contain something which they wanted to eat … and wanted to eat, very much.
He went hastily across the campground, and leaned over the haphazard combination of fence and spindly hedge which enclosed – not very efficiently – the goat pasture.
“Oi!” Richard shouted, and the man with the cart looked up, distracted from the herd of goats, jostling each other for his urgent attention. “I’ve got to be at someplace called the Luna Café at ten of the morning … can you tell me how to get there from here?”
“Better yet,” his informant called back – it was Sefton Grant, in his customary at-home working attire of battered cowboy boots and nothing else. “I can take you there, as soon as I’m done with the kids. We have a regular delivery, mid-morning. When you are ready, just come to the yurt. You can’t miss it.”
“I hope not,” Richard said, but only to himself; a yurt, here in the highlands of Texas.
Twenty minutes later – after affirming the time through the medium of the television set, and having a quick and unsatisfactory cup of tea, Richard switched off the television set. The picture it broadcast was black and white and grainy in the extreme, and the lead story seemed to be a breathless update regarding a fugitive celebrity. The celebrity wasn’t him; Richard didn’t know whether to be relieved or slighted by the lack of interest. He also didn’t know whether to lock the Airstream caravan or not … nothing in it was his personal property at all, strictly speaking, save the chef’s jacket which he was taking with him. Roman Gonzalez had commented that no one locked their doors in Luna City. Richard did make certain that the door was closed all the way, to preserve the delicious coolness inside. Three steps away from the shelter of the metal awning, in the full glare of the morning sun – and it was already hotter than a brilliant English summer day in Bickley.

He walked down a small and winding path that seemed to lead back into a grove of monumental trees – tall trees, with massive trunks and small and dark green leaves. There was musical sound of chimes coming from that direction, and the regular flashing blades of a small windmill at the apex of a weathered metal-frame tower. Cloth banners fluttered from here and there, some of them faded, some of them bright. He passed by a vegetable garden, surrounded on all sides by a tall metal-mesh fence in a surprisingly good state of repair, and … even more surprising, a line of whitewashed square beehives. And in that way, Richard came upon the eccentric and colorful establishment which housed the Grants, their assortment of livestock, and the occasional visiting kin or former commune members. A number of small structures – a metal-sided garden shed, a chicken run and coop made of reclaimed doors and windows, an even more rambling greenhouse constructed of even more reclaimed windows, an Indian teepee, another ancient caravan, with wheels long decayed, a water tank on tall stilt legs, and a towering pile of cut firewood, scattered throughout a half-acre stand of oak trees.

All these structures orbited around the central sun of a towering fabric-covered yurt. Overhead, the windmill turned with a slight metallic clatter, and chickens wandered freely, scratching industriously in the dirt and leaf-mast. A tall white llama looked at him scornfully, and then wandered away – to Richard’s relief. A most extraordinary vehicle sat before the yurt’s single entrance. The front half, all the way back to the first pair of doors looked like – and was, by proof of a large, circular Volkswagen logo adorning it center front – an ancient VW bus. But the back half had been replaced by an open truck bed, and the whole adorned by random free-hand graffiti in brilliant spray-painted designs. It was impossible to tell what color, aside from rust, that this contraption had been originally. Sefton Grant – now more conventionally clad in jeans and an old Grateful Dead concert tee shirt – was loading the back of the bus-truck with flats of eggs, and a box of garden produce. Judy Grant emerged from the caravan with a large jar and a small brown-paper bag in hand. She was dressed – or more accurately – undressed in the Grants customary manner.

“Good morning!” she greeted Richard, and Sefton dusted off his hands on the seat of his jeans. “Up with the chickens, I see – but not as early as our chickens! Seftie-dear, these are for the Abernathys, if you can drop them off as well. And don’t forget – supper tonight is Lentil Surprise. Mr. Hall, you’d be welcome to join us.”
“Got it, Judikins,” Sefton replied, with a notable lack of enthusiasm, as he turned to Richard. “Sure – Judikin’s Lentil Surprise is … unforgettable.” As the combination van-truck bumped down the unpaved dirt track, and Richard tried to keep himself more or less steady in the passenger seat with the aid of a tattered seat-belt, Sefton added, “Yeah, and I wish that she would go ahead and forget the recipe … but wish in one hand, and cr*p in the other; see which hand fills up first. That’s what the damned stuff tastes like, too.”
“My sympathies,” Richard offered. “I’ll consult Larousse Gastronomique, and see if there is some tastier surprise one can achieve with lentils.”
“Don’t worry about it,” Sefton answered. “As soon as I drop all this off, I’m driving over to Karnesville and grab a double-bacon-cheeseburger at the Dairy Queen.” He winked at Richard and added, “Keep my secret, ‘kay?”
“My lips are sealed,” Richard assured him. The motley van-truck emerged from the dusty farm track, and onto a narrow paved road – which, within a few hundred feet, went from pastures and cultivated fields – of something, Richard wasn’t the least certain – to scattered houses, surrounded by ragged lawns and gardens ornamented with items like planters made from inside-out truck tires.

“This is the short-cut into town,” Sefton explained. “Straight on to the right, there’s the high-school … and one block past the lone oak, there’s Town Square.” Sefton carefully edged the van-truck around a gargantuan oak, sprouting inexplicably from the center of the road.
“Singular place to have an oak tree,” Richard commented, and Sefton replied,
“Well … folks around here, they loved these big oak trees. When they platted out the town, the story is that Old Antonio Gonzalez swore that if they cut down any of the big old oaks, than town would only last for as long as the stumps rotted. They’d already lost the railroad, through Bessie Wyler running off with an engineer on the GH&SA. Ol’ Antonio, he knew his curses, so they say, and folk hereabouts didn’t want to take a chance of them sticking. Ah … here we are. A mountainous pile of capitalist-pig enterprise, but … hey, we do what we can.”

Richard regarded the pleasant tree-grown square with mild pleasure. This was so much better than what he had half-expected. When Dr. Wyler mentioned that the Café was on something called Town Square, Richard had automatically assumed some barren and charmless concrete square rimmed with geometrical shop-fronts in brutal Bauhaus modern style, all plate glass windows, a few discouraged sapling trees with uncomfortable bench seats underneath them, and a fountain; a plain geometric shape with a formless metal turd in the center. The aspect before him was the complete antithesis of that dismal late 20th century urban vision; a sweep of lawn underneath the heavy branches of ancient oaks, crowned with a tall domed bandstand in the center, and late Victorian storefronts on three sides, all lavishly ornamented with balconies, window pediments and colorful brick and tile work. The building on the fourth side of the square took up the entire block and sat a little way back from the sidewalk. A playground – with swings and slides, and yellow squares marked out on the paving for games – made the letters across the porch reading “Luna City Unified School District” entirely redundant. Sefton turned to the left, and drove around two sides of the square, before finally parking. Gold block letters on a pair of tall old-fashioned shop windows spelled out Luna Café & Coffee. A number of tables surrounded by chairs were arrayed in the shade of a hefty wooden awning which covered nearly all the sidewalk.

“This is it,” Sefton announced, rather unnecessarily. “And you said ten? I see Doc Wyler is already waiting for you.”
Yes, there was the old veterinarian, sitting at a table just inside. Richard sighed inwardly. He had not felt quite like this since he was at school and summoned to the headmaster’s study. He took up the folded chef’s jacket and sauntered inside, assuming a confidence he did not really feel. Two women and another young man shared Dr. Wyler’s table, but otherwise the place was empty. A small ice-chest sat at their feet. The younger woman was the sandy-haired young woman with her hair in cowgirl plaits – the girl who had been at the campground the day before. A handbag large enough to be a briefcase hung from the back of her chair. Richard did not want to recall the embarrassing moment of that previous meeting. The older lady, impeccably turned out in an old-fashioned rayon shirt-dress with matching hat, gloves, and handbag, looked as if she just come from a fashion-magazine shoot for a publication featuring vintage clothing for the geriatric set.

“Ah … good of you to join us, Mr. Astor-Hall; take a pew – you’ve already met my financial advisor, Jess Abernathy, I think. This is my business associate, Leticia McAllister, and Christopher Mayall – a good person to know.” Dr. Wyler rose, and gestured Richard to a chair, whereupon the young man stood, stuck out his hand and said, “Take mine – I gotta get back to the Icehouse. Just call me Chris, Mr. Hall.”
“I think I owe you for groceries,” Richard said, and Chris Mayall shrugged. He looked to be about Richard’s age, gangly and smooth-faced, the light-brown color of excellent café-au-lait. “Pay when you can,” he replied. “I know where you live. Miss Letty, you promise you call me when you’re done, and I’ll come get you,” he added, and to Richard’s utter astonishment, he leaned down and dropped a brief and chivalrous kiss on the back of Miss Letty’s raised hand.

“You’re a good boy, Chris,” Miss Letty replied, and Richard wondered if his eyebrows were up in his hairline already. He took the seat indicated, and Dr. Wyler got straight down to the point.
“Your papers say that you’re a chef, son – Paris-trained and all that. Well, we here in Luna City may live in a bitty little town in the sticks, but we got newspapers, TV and the internet, too. We heard tell that got yourself into a pickle in your life … well, we here in Luna City, we’ve got ourselves a situation, too. This here little enterprise is crying out for lack of a good chef, since those bastards at Mills Farm …”
“Language,” Miss Letty interjected in a warning tone of voice.
“Sorry, Miss Letty.” Dr. Wyler didn’t sound particularly contrite. “See here, Mr. Hall – this place is the heart of Luna City. Sit here long enough, you’d see everyone you know in town. It’s the only place to get a decent cup of coffee without driving to Karnesville … and the only place aside from the Icehouse, and Pryor’s Good Meats BBQ where you can get a bite to eat. The Icehouse does hot grill sandwiches in the evenings, and Pryor’s is only open on weekends. We can only get along for so long on Costco cinnamon rolls and Little Debbie cakes. Hell, if that’s what people want, they can get it at home, or out at the Icehouse. You told me that you liked cooking for folks? I’d consider offering you a position straight off the bat, but Miss Letty is the skeptical sort and don’t know you from a hole in the ground. So … we thought we’d ask you to audition. Fix us a lunch.”
“Sole meunière,” Miss Letty announced. “With a green salad, and everything scratch made.”

Richard gaped at them, and Dr. Wyler indicated the ice chest at their feet.
“There’s two pounds of New England sole filets in there – I had ‘em flown in overnight on ice. Butter, parsley, lemons. Everything you need is in there or back in the kitchen. Sefton just brung in the salad greens, so – if you want to acquaint yourself with the kitchen facility, give yourself an hour and a half. Dazzle us with your Paris-trained brilliance, and the job is yours. And,” he added, with a faint touch of menace. “I’ve et meals at five-star places and in Paris in my time; don’t even think you can fool this ol’ Texas cowboy.”
“You might also want to reconsider your shirt,” Jess Abernathy murmured. It was the first time she had spoken.
“It says FBI,” Richard answered, utterly baffled. “I thought the FBI was something you Yanks were in favor of…”
“Do not, if you value your possible future career here,” Jess Abernathy replied, with an edge in her voice that one could have sliced carpaccio on, “Refer to us as Yanks, or even Yankees …”
“My Grandfather Arthur Wells was a Confederate man,” Miss Letty put in. “And he would have called you out for insult, on that account alone – although likely he would have made allowances for a foreigner.”
“Read the small print,” Jess Abernathy sighed. “Really – so many of my clients could have been spared by reading the small print.”

Richard looked down at his own upper abdomen, baffled by not being especially skilled at deciphering upside-down lettering. “So, what does it say?” he asked, being fairly certain that he did not want to hear the reply.
“Female Body Inspector,” Jess answered. No … not an answer that he wanted to hear. Good thing he had the chef’s coat with him. In silence he put it on and picked up the ice chest, while Miss Letty nodded in grim approval.
“Lunch will be at 11:40 precisely,” he said, silently committing what he had left of his soul to his Maker, knowing that the two geriatrics at the café table likely had first call on his mortal backside.
Now, to investigate the mysteries of the café kitchen, behind the door at the back; he had to admit, not bad, not bad at all. There was only the one gas range, but it was a massive one, with ten burners and two ovens. The refrigerator – a three-door model – was equally massive. Walk-in freezer – very good; he tested the door. Alas, the freezer was nearly empty. So was the refrigerator, save for two flats of eggs and the box of vegetables which Sefton Grant had placed within. The racks of dry storage was a little better; oh, good. The array of pots and pans, not quite so good, but … eh, he could deal with it. A massive Hobart mixer – Richard felt his spirits rising. Pastries and breads; he always liked making them, and that was one of his strong suits. Cinnamon rolls … Dr. Wyler had mentioned commercial cinnamon rolls. The commercial dishwasher was humming away, so there was proof already that someone was minding the shop.

“I can do better,” he said, aloud.
Knives … that was sad. Nothing had a good edge. Where to begin? Find the knife sharpener. And within another ten minutes, Richard was agreeably lost, swimming in his own element, doing that which he loved best. Not even the pretty, dark-haired young woman who came in with a tray of dirty cups and plates to feed into the dishwasher could entirely break his adamantine concentration.
“You the new cook?” she asked, interested. “Your coat says Carême – I’m Araceli Gonzales, and boy, am I glad to see you! I’ve been holding down the fort since the last guy quit, and I’m about run off my feet.”
“Chef,” Richard corrected her.
“Chef Carême … that’s a cute name – you’re new in Luna City, aren’t you?”
“I am but recently arrived,” Richard agreed, absently. “Araceli, my darling, your devotion to duty is doubtless appreciated. And now would you be so kind as to set three places for luncheon at the table by the window?”
“On it, Chef Carême,” she answered, with a becoming show of enthusiasm.
“Thank you, Araceli … and if there is such a thing as proper linen napkins in this establishment, please use them. Fine food deserves the best.”
“If there isn’t, I’ll find them,” Araceli promised. “Say, Chef Carême … you talk a bit like that TV chef that my grandma likes. Are you related to him?”

“Probably not,” Richard answered, concentrating absolutely on properly browning the butter. Oh, yes – it was coming together nicely. And service for only three and the same entrée? Piece of cake; he set the browned butter aside, and went to explore the food storage shelves and the refrigerator again. Olive oil, lemon juice, a dash of Dijon mustard and a quick grind of pepper; the salad greens wouldn’t need much other than their own exquisitely fresh selves. “Gilding the lily,” Richard said to himself. Alone in the kitchen, he liked talking to himself. Sammi once asked him why he did that; his reply of “Because it’s the only chance I have of an intelligent conversation,” was not received well. Just as well they had broken up. Sammi was spectacularly gorgeous, but wit had never been her strong suit.
Alone in the kitchen, absorbed in the moment: that was where he liked to be. Providing food was not just one of those needed things; it was an art, a calling, and at that moment, Richard realized how he had been so badly distracted into becoming something else … a clown, fretting and strutting upon a stage. No, never again – here, in this neglected café kitchen in a small town that no one had ever heard of – this was the pure, unfiltered experience of creation and skill, merged together. Everything else prepared and in readiness – lemons sliced, parsley chopped; Richard opened the last package in Dr. Wyler’s ice-chest; the filets of sole were excellent; fresh, nearly odorless, and expertly trimmed. His spirits rose again, and he became wholly lost in the simple art of haute cuisine … the portion-sized fillets dipped into milk and then dredged in flour. 11:35 of the clock; Araceli arrived in the kitchen, panting slightly from exertion.

“There weren’t any cloth napkins, Chef Carême … so I took some funds from the register, and went and bought some at Abernathy’s.”
“Good,” Richard hardly heard her. “Wine, damn it … only lunch, but wine! A nice white: Crisp and not too sweet. God … I miss having a good sommelier! That bitch Sammi ran away with him, poor chap; he doesn’t know what he is getting into …”
“Dr. Wyler is on it, Chef,” Araceli assured him. “He has a bottle that he brought with him.”
“Open it,” Richard commanded. “Let it breathe … glasses! White wine glasses … God!”
“I already put them out,” she replied, slightly reproving. “You shouldn’t take the Lord’s name in vain, Chef Carême. It’s not approved of, around here.”
“My dear Araceli, you would hear worse in any high-class kitchen in the capitals of the world,” Richard replied, feeling slightly waspish and out of the mood, even as he said it. For some reason, Araceli reminded him of someone … oh, yes; Berto and Abuelita Adeliza. They must be related. He turned the sole fillets, and viewed the delicate brown and mottled crispiness of their top sides with relief. “Plate the salads. If we are going to work together, you must know how I want things done.”
“And how do you want things,” Araceli ventured. “Since we are not in the capitals of the world?” Richard fixed her with the ferocious glare which on many previous occasions had reduced kitchen and wait-staff to hysterical tears and screaming death threats.
“Perfectly!” Richard barked.
With aplomb, Araceli straightened her shoulders and glared back at him. “Whatever you say, Chef Carême; Perfect it will be, then.”
“I like you, Araceli,” Richard replied, obscurely pleased that she hadn’t crumbled. “You have something resembling a spine. Here – we have hungry guests. See to them.” He plated the three portions of sole, sprinkled each with a careless dash of chopped parsley, a little dab of brown butter, and a judicious squeeze of lemon, and Araceli carried them away on a large tray. When she returned, the tray under her arm, they both watched from behind the kitchen doorway.

A sudden question popped up in Richard’s mind, and he whispered,
“Araceli, you speak Spanish, do you?”
“Well, of course,” she replied with heavy sarcasm.
“What does ‘Él tiene un buen culo’ mean?”
Araceli giggled. “Nice ass. Not the donkey sort … They like your fish, I think,” she breathed. There was no need for either of them to hear the words, the attitude and what they could see of the faces of Jess, Miss Letty and Dr. Wyler said it all.
“Of course,” Richard replied. “It was perfect … Ah; the Doctor wishes a word with me.”
Wiping his hands on a towel, he approached the table. “I trust that your meal was satisfactory?”
“Don’t be such a snot,” Dr. Wyler grunted. “Of course it was – only the best damn meal I’ve set down at at years. You’ve got the job. Sit down; I’m getting a crick in my neck looking up at you.”

Richard obeyed – not that he had been in any particular doubt. Jess Abernathy took out a manila folder from her briefcase and pushed it across the table at him. “Everything you need is in there,” she said. Dr. Wyler continued,
“I can’t authorize hiring more staff until the Café turns in more of a profit, so if you can manage with Araceli – more power to you. The place has always done breakfasts. Coffee and pastries at mid-morning, hot sandwiches and soups for luncheons; not much call for suppers, but if and when demand justifies it, I suggest Friday and Saturday evenings only. Most folk here have jobs, and prefer eating supper at home during the week. Jess has given you a monthly budget to get started with on that basis – just bare bones. Includes your salary, too. I know it’s not what you’re accustomed to, but …”
“I’ve already made up my mind to take it,” Richard answered.
“Good. Araceli!” Dr. Wyler bellowed and she popped out of the kitchen.
“Yes, Doc?”
“Another glass for Richard here – I want to drink a toast to the management with the last of this.”
And with that, Richard Astor-Hall became a Lunaite, a mere thirty-six hours after arriving.

So I saw a couple of variations of a news story regarding the home in a teeny town in Oregon which was the location for exteriors in a movie shot at about the time that my daughter was in elementary school. Yes – the simple white frame house on a hill overlooking a Hampton Inn, a major local road, and something of the sea-front; the house featured in the movie The Goonies … a fun and funny kid’s movie, which has lately been headlined because the current owner of same is sick to death of movie fan visitors showing up at the garden gate and being … well, showing up and apparently in herds and a good portion of them being rather invasive, rude and awful. It is the 30th anniversary of the making of that movie, and the surge of visitor interest has become overwhelming, at least as far as the current owner is concerned, although it seems that the administration of the city of Astoria has seized the day and posted signs all over the place, referencing the Goonies House. Well, all props to them, and I am certain that they are reaping some benefit through tourists visiting. I live in a town which boasts two major tourist draws, so I cannot be dismissive of all of that. I also grew up in Sothern California, where seeing a camera crew at work, or recognizing a familiar place in the background of a movie or TV was just part of the charm of living there.

There are lots of houses which were used as exteriors for movies, some of them with every bit as much of a cult following; Ralphie’s house in A Christmas Story, for instance, although in that case, the house itself is now a local museum. The Winnetka house used in Home Alone, and Home Alone 2 is still a private residence and the current owners don’t seem to be particularly bothered by sightseers. The Money Pit mansion seems to be located at the end of a quarter-mile long driveway, which probably helps to keep sightseers at a respectable distance. The house used for exteriors of The Godfather movies is perhaps a little closer to the street, but still … These last three are or were recently on the market; I am certain that whoever purchased them, or is thinking about purchasing them has noted the past use of the property for a movie or movies as just a curious tidbit. But still … When did private property become a public utility?

The comments on the various news stories about the Goonies house are a bit dismaying, to me as a home-owner. The current owner bought the place – which really looks to be quite a modest little hillside cottage with a splendid view – some fifteen years ago. Likely, she viewed it having been used as a movie location as just another curious tidbit; oh, yeah, that’s interesting, right along the lines of having had a now-famous person born there, or having guested George Washington for a night or two. Slap up a historical marker and call it a day; not everyone wants to set up a museum or souvenir shop in Home Sweet Home. A fair number of comments seem to suggest, with various degrees of snideness, that is what the owner should do – but really? Turn your house into a commercial enterprise? Again, when did private property become a public utility? It seems that the owner was quite gracious in earlier years, with a relatively small trickle of Goonie fans, but the trickle has become an ungovernable, unendurable flood. There’s a limit to what the owner of a private home can put up with – and no, selling and moving away (the other snide suggestion) is no solution, either. Hanging up blue tarps and declaring the house closed is a relatively mild response; I am only surprised there isn’t a ten-foot wall, and restricted access at the bottom of the driveway.

By way of decency, one of the stars of the Goonies is asking for consideration on the part of the beleaguered homeowner. Good for him.

Alas, I am  defeated once again in my ambitions this year to have bounteous crops of tomatoes and zucchini squash … but by way of comfort, the peppers of various sorts and the okra plants are multiplying and producing like champs. The encouraging thing about the okra plants is that I have been able to grow a fair number of plants from seeds left in the pods that I let go last year … and that the darned things do grow like weeks. However, the okra pods of the variety that I have propagated do have to be harvested before they get to be about three inches long; otherwise they are tough and woody to the point of inedibility. (But still good for gleaning seeds for the next crop.) I would actually consider planting a good-sized patch of okra in the front garden, for the flowers are actually rather attractive; they look a bit like a variety of hibiscus which has pale yellow flowers with a red spot in the center. Alas, in the eyes of non-gardeners and farmers, the leaves of okra bear an unfortunate resemblance to marijuana plants, and while I would like to hope that the average neighborhood SAPD officer has enough savvy to tell the difference at a glance … I don’t want to borrow trouble.Okra Blossom

So – okra in quantity; what to do with it? Aside from pickles, and breading and deep-frying it, my usual method for okra is to slice up the pods as I harvest them, and put them in a plastic bag in the freezer until I have enough to make a good batch of gumbo out of it. Gumbo is one of those all-purpose dishes like meatloaf or macaroni and cheese; infinite number of recipes in infinite variations, depending on what you have on hand. It all begins with a roux, of course – oil and flour stirred together, until the flour darkens to the color of a tarnished copper coin. This is what gives the gumbo broth it’s thickening substance. This is a recipe that I like to use, partly raided from the internet, but with additions from one of my Cajun cookbooks and adjusted to incorporate the accumulated okra harvest.

Combine together ½ cup peanut oil and the same of flour, and simmer until darkened – but not burnt! Add in 1 chopped Gumbo - All readyonion, 1 chopped green or red pepper, and 3 stalks of celery – all very finely chopped, and stir together with the roux until the vegetables are limp. Add in 3-4 minced cloves of garlic, and 1 Tbsp of Creole seasoning, like Tony Chachere’s. In another pot, heat almost to boiling, 5 cups of fish, chicken, or vegetable stock, and blend it gently into the roux-vegetable mixture, stirring constantly. Add 2 teaspoons of Worcestershire sauce and 1 to 1 ½ cups fresh or frozen okra, sliced into rounds. Cover and simmer for half an hour, and add half to 3/4ths of a pound smoked Andouille sausage, sliced into ¼ inch rounds and 1-2 lbs fresh shrimp, peeled and deveined. If the shrimp is already cooked, then just simmer the gumbo long enough to warm the sausage and shrimp through. Serve with a scoop of hot rice in the middle, and a sprinkling of sliced green onion.