It’s an old-fashioned study in contrasts, considering the two of them, Abraham Lincoln and Sam Houston; both political giants, both of them a linchpin around which a certain point of American history turned, both of them men of the frontier. The similarities continue from that point: both of them almost entirely self-educated, as lawyers among other things. From reading accounts by their contemporaries, it is clear that each possessed an enormous amount of personal charm. In modern terms, both would have been a total blast to hang out with, socially. In their own time each of them also acquired enormous numbers of bitter enemies. In fact, for a hero-founder of Texas, Houston attracted a considerable degree of vitriol from others among his contemporaries, and a level of published vilification which was not bettered until Lincoln appeared on the national scene as the presidential candidate favored by the north in the 1860 election. And both of them had ups and downs in their political and personal lives, although it’s hard to argue that Lincoln’s personal story arc was anything as eventful as that of Houston, who appears as the ADHD child of Jacksonian-era politics.

Sam HoustonBut they were also opposites in at least as many ways as they were similar. The family of Samuel Houston had at least some pretensions to property and gentility, whereas that of Lincoln had not the slightest shred of either. Born in 1793, Houston was just barely old enough to have served actively in the War of 1812. He seems on that account to have been representative of an earlier generation than that of Lincoln, a generation only a half-step removed from the founding fathers. He came to the notice of Andrew Jackson, and thereafter spent much of his life when not strolling up and down the corridors of power, loitering meaningfully in the vicinity. He served variously in the Army or state militia of Tennessee, as an Indian agent, in Congress and as elected governor of Tennessee. He was married three times, was an absolutely legendary drunk and lived with the Cherokee tribe for a number of years on two occasions. He was brave, impulsive and addicted to flamboyant gestures and attire, being talked with great difficulty out of wearing a green velvet suit to one of his inaugurations as the President of independent Texas. He was also, to judge from portraits and photographs a very handsome man, resembling a rather rugged Colin Firth on a bad hair day.

Houston’s enduring legend was established as the hero of Texan independence; just another one of those footloose adventurers, drifting in during the 1830ies. Like those whose names would be soon written in letters of blood and gold – Bowie, Crockett, and Travis, he was under a cloud and looked to Texas for redemption. Unlike the other three, he would survive the experience. Some of Sam Houston’s cloud was of his own making: he went from a disastrously and very publicly failed marriage, leaving his term as governor of Tennessee and going on what appeared to have been a prolonged bender in the Cherokee Territory before pulling himself together and going to Texas. In the mad confusion that was the founding of independent Texas in the spring of 1836, Houston was about the only senior military commander who kept a cool head, faced with Santa Anna’s invading army. He also — and this was no mean feat — kept his cool in the tomcats-in-a-sack political wrangling that proved to be fairly typical of Texas state politics, then and forever afterwards. He pulled together an effective army, and decoyed Santa Anna into East Texas, farther and farther, until his own commanders were on the verge of deciding he was a coward and would not fight at all. But he turned, when he had the terrain in his favor, and became that rarest of heroes; the one who dies of old age in his own bed. By then he had married Margaret Lea, who was half his age at the time, a shy and beautiful southern belle with a spine of steel; she stopped him from drinking, and kept him more or less on the straight and narrow for the rest of his life.

Abraham LincolnAbraham Lincoln was born in obscurity and might very well have stayed there, save for the unquenchable burning spark that led him once to walk twenty miles to borrow a book that he had not read before. One has the impression of a ferociously hungry intellect, pulling every scrap of knowledge, of history and poetry, politics and the law into a mind never entirely content. It has been speculated recently that he was subject to bouts of deep depression. He was also ambitious, and went into politics early, while still in his early twenties before teaching himself law and being admitted to the bar in 1837. He practiced law in Springfield, Illinois and increasingly involved himself in state political affairs.

The existing pictures of Lincoln give an impression of melancholy, of someone haunted by unbearable sorrow, whereas those of Houston in his prime seem to be of a scrappy fighter with three aces among the cards in his hand, and a fairly good idea of where he will find a fourth. Another difference between the two: Lincoln was not handsome. In the words of the country expression: he fell from the top of the ugly tree and hit every branch on the way down. From the accounts of his closest early friends, he was the most endearing and entertaining company, a gifted raconteur and mimic, able to reduce his audience to helpless laughter, and a shrewd lawyer, particularly relentless in cross-examination. He married the lively and cultivated daughter of a notable and politically well connected family from Kentucky, the Todds of Lexington. Mary Todd had also been courted by Stephen Douglas, with whom Lincoln would debate over the slavery issue in 1858. Possibly that added a frisson to the debates; one cannot tell at this late date, though.

In 1846 he was elected to the US House of Representatives for one relatively lackluster term, before devoting himself almost exclusively to law for most of the subsequent decade. He returned to politics again, as the question of America’s ‘peculiar institution’ of chattel slavery went from a simmer to a full rolling boil on the stovetop of political consciousness. The Kansas Nebraska Act of 1854 seemed to be nothing more than a crude exercise of the power of pro-slavery expansionists, in permitting the spread of slavery to territories where it had been forbidden in the Missouri Compromise of 1820. The public debates, and lectures which followed, energized that portion of the Northern public which was against such expansion, or even the existence of the institution itself and brought Lincoln to more than just local attention. He was put on the Republican ticket in the 1860 presidential contest as a compromise candidate, a moderate who would attract voters in the western states. His election was seen as a low blow by the Southern slave-holding states, who began walking out almost before the voting was finished. Texas was among them, even though Sam Houston was governor of the state that he had variously served as general, congressman and president. Although he owned slaves, he was a unionist, and valiantly fought a delaying action against the secessionists. Lincoln even offered to send Federal troops to keep Texas in the Union: Houston declined, and rather than swear an oath of loyalty to the Confederacy, left his office and public life.

They might possibly have met face to face. They had a chance of course, being both in Washington at the same time, from 1846-1848: Lincoln in the House of Representatives, and Houston in the Senate. One of Houston’s biographers speculates that if Houston had only been a little younger, and had been considered more than briefly for the 1860 presidential slate of candidates the Civil War might have been averted or delayed for another few years. Or maybe not.

(The original version of this essay came about when I was trying to channel what Sam Houston would have thought of Lincoln, as part of writing Adelsverein: The Sowing, which deals with the Civil War as it was experienced in the Texas Hill Country.)

23. February 2013 · Comments Off on The Cowboy Way · Categories: Old West, Random Book and Media Musings

I never have quite understood the appeal of the cowboy, when it came to the whole western-frontier-nostalgia-gestalt. How on earth did that particular frontier archetype sweep all others before it, when it came to dime novels, movies and television shows – given that the classic ‘cowboy’ functioned only in a very specific time period; say for about twenty years after the Civil War. Admittedly, the Western cattle industry seemed to be co-located with spectacular bits of scenery, and the final years of the frontier per se offered all kinds of interesting potential story lines, many of them guaranteed to thrill urban, eastern wage slaves living blamelessly dull lives� but still.

For the generic cowboy was a himself hired hand. Yes, indeed – working for wages as hard (or harder) than any store clerk or factory laborer, tending to semi-wild cattle – and, not to put too much of a fine point on it – herding cattle, even on horseback was unskilled labor in the 19th century. It was grueling, low-skill, low-paying labor, most often seasonable, and most intelligent and ambitious young sparks didn’t do it for a month longer than they needed to. It was the sort of work done these days by high-school kids and illegal aliens, mostly until better employment opportunities came along.

You have to wonder, especially when there were so many other truly heroic epic adventurers available to hang the hero worship on. How did the cowboy even begin to loom so large – especially when the cattle business (and it was a business!) didn’t really begin to thrive until all the excitement was practically over? What about the mountain men, living on their wits in the early days, alone among the variously tempered tribes of the Great Basin? And surely the miners in the various gold and silver booms; they worked just as hard at pretty mucky drudgery, for themselves in the earlies and for their employers later on. And what about my own personal favorites among the frontier archetypes, the wagon-train emigrants, setting out with their whole families along a two-thousand mile road through the empty lands? Stage drivers and teamsters were quite a bit more likely to have adventurous encounters with the lawless element, or particularly hostile Indians – although even the stereotype of the Western towns being particularly lawless falls down a bit in contemporary comparison to elements of big cities in the East. Why one particular line of work would inspire a century of dime novels, moves and television shows is enough to make you shrug your shoulders and say ‘que?!‘ to the camera, like Manuel in Fawlty Towers.

So how did all that glamour and mythic stature come to sprout from acres of Western cow pies? Damned if I know, although I can take some guesses. The popular press fairly exploded after the Civil War, creating a demand for tales of frontier adventure. Right time, right place; and it has often been noticed that the typical Western TV show or movie perpetuated ever since is more often set in about the 1865-1885s time frame. Telegraph and the transcontinental railroads are in place, the Indians are reserved (with sporadic exceptions necessary to the plot of the moment, of course) and all the little towns have wooden sidewalks and glass windows, suitable for a reckless cowboy to ride his horse down one and crash through the other. But still … a pretty limited visualization of the frontier west; surely there was more, even in the late 19th century for popular culture to fixate on?

I wonder if the attraction for the cowboy thing wasn’t based on a melding of one particular and very old archetype and a certain cultural folkway. The archetype was that of the independent horseman, the chevalier, the knight – able to go farther and travel faster than a person on foot. There was always a predilection in the West to look up to the man on a horse, to see them as beings a bit freer, a little more independent. The cowboy might be a paid laborer, but in comparison to man working in a factory, much more independent in the framing of his work day and much less supervised. And as was noted in the lively yet strangely scholarly tome Cracker Culture, the Scotch-Irish-Celtic-Borderer folkway which formed a substantial layer of our cultural bedrock rather favored herding barely domesticated animals (and hunting wild game) rather than intensive cultivation. Better a free life, out of doors and on horseback, rather than plodding along behind a plough, or stuck behind a workbench, even if it didn’t pay very much at all.

It was and remains fascinating to go back to the roots of the cattle industry, as I did for the Adelsverein: The Harvesting, and for the sequel, The Quivera Trail (Barsetshire with Cypress Trees and a Lot of Sidearms) – just to discover how very, very different it was from what has always been popularly presented. Owen Wister didn’t get the half of it.

So not being really a romance writer, and having pretty much washed out of the lists of matrimony personally, I still have managed to write about romance … mostly by pulling in a little bit of inspiration from here and there from real-life couples. For instance, the main romantic couple in my first book, Dr. John and Elizabeth in To Truckee’s Trail were inspired by … you’ll never guess. Robert Browning and Elizabeth Barrett Browning! A married couple, wildly, passionately, crackers-in-love with each other after twelve years of marriage – why not? The romance doesn’t and shouldn’t end at the altar, but it should go on. I rather liked the Victorians, by the way – they weren’t nearly as prudish as they’ve been painted, nor were their emotions quite so stifled. Robert fell in love with her through reading her published poetry – and lest that sound rather stalker-ish, it worked out. They married blissfully, although she was an invalid and several years older than him. They went off to Italy and were more or less happy for the rest of their lives together, just as I imagined Dr. John and Elizabeth to have been. Men and women alike poured out their souls in letters and poetry, and they weren’t ashamed or repressed in the least, especially when it came to a good manly weep or putting down on paper how they really, really felt.

I didn’t particularly have a literary model for the central romance and tragedy in the Adelsverein Trilogy – that between Magda Vogel, the immigrant German girl, and Carl Becker, the former soldier and Ranger. I did think at first that it might be one of those sparkling Beatrice and Benedict-type confections, where they poured witty scorn at each other, and only later realized that they were in love. There did have to be a romance, of course – between the daughter of an immigrant family, and a representative of the country they were coming to – bridging the two worlds, as it were. But I just couldn’t make it work in that way; Magda turned out to be rather humorless and stern, and Carl was just too reserved. I did recycle the Beatrice and Benedict angle for the romance in the third book of the Trilogy; with Peter Vining and Anna Richter. They both had a sense of humor, and were quite aware that their sharp teasing of each other amused the heck out of anyone who had the luck to be in the vicinity.

Another great historical romance happened between two very real people, and which I put into Deep in the Heart; the marriage between Sam Houston and Margaret Lea Houston, which initially horrified her family and dismayed his friends. Some of them gave it six months, tops. He was twice her age, twice and disastrously married before, had a reputation of being a drunk, a rake and a reprobate, and being the hero of Jan Jacinto and the President of an independent Texas  just barely made up for all of that. Marry a gently-bred Southern girl barely out of her schoolroom? Everyone confidently predicted disaster – and everyone was wrong. They were devoted to each other. She had a spine of pure steel, unsuspected under those fashionable Victorian furbelows.  For the rest of their lives, whenever they were apart – and they were often separated, since Sam Houston spent much time at his official duties as a senator in Washington DC, or campaigning for office – they each wrote a letter a day. Margaret Lea bore and raised a large family of children, made a comfortable home for him whenever he was there to enjoy it, made him stop drinking and eventually to be baptized. His very last words included her name.

And my final real-life romance inspiring a romance between a couple of my characters is that of the painter Charles M. Russell, and his wife, Nancy – who, like Margaret Lea, was very much younger than a husband who had a bit of a reputation. Half his age, a bit prim and self-contained, Nancy also had steel in her spine – and she was a much better marketer and business agent than her carefree cowboy artist husband. C.M. Russell lived for art, and likely would have been no more than locally known as a wrangler-cowhand who had a talent with a paintbrush, but he made a partnership with Nancy, and she put him on a wider artistic scene. And that is the angle for one of the romances in the current book – between a young prospective professional artist, and a woman with a head for business. Because it all isn’t just love – it’s a partnership between a woman and a man, each filling in each other’s lacks and supporting each other in a mutual endeavor called life.

So, sometime last Friday afternoon, my author email address was hacked and used to send out several different kinds of spam to simply everybody on my contacts list, for which I apologize abjectly. It’s some small comfort that a good many of the addresses in it were no longer valid. And at least the spammers weren’t pushing anything acutely embarrassing, as when my other personal email account was hacked last year and used to send a pitch for Viagra to a great many people on my email list, one of whom was a friend of the male persuasion, who immediately sent a reply message to me, “Oh, Celia – I didn’t know you cared!”

It’s the second time in a year that this has happened, and Yahoo client services are getting so impossible to work with that I am throwing in the towel and establishing a new email address at gmail. I don’t suppose that gmail will be any more hack-proof than any other server, but at least this affords the opportunity to revise my contacts listing – and hey, now I know how many of them are now invalid. But it is still a bit of a pain to go through and revise my contacts list and transfer it over from yahoo to gmail – and I will have to revise my business cards and printed marketing materiel as well.
I was trying to explain this to my dear sainted mother, who is 83 – and let it be made plain, is one of those who has only heard tell of this internet thing, and most of that being no good at all. “Mom, it’s like someone has stolen your address book, and is using your current address to send torrents of stupid junk mail to every single person in it.” Whereupon Mom replied that she was glad that she didn’t have anything to do with the internet … overlooking, of course, that I make much of my current living through exploiting certain aspects of the internet, and that my daughter and I replaced just about every one of her much-loved and re-read volumes of Helen MacInnes novels, the originals of which were burned in the 2003 brushfire that took the retirement house that she and Dad had built.

So, I would no sooner go to the most dangerous segments of the internet than Mom would visit some of the shadier neighborhoods in the real world – but hey, it’s easier to just avoid that aspect of modernity altogether, if one is able. Which is a round-about way of explaining that my contact email is a little different as of today, but just put in ‘gmail’ where ‘yahoo’ used to be, and amend your contacts list. And if you get a weird email from me in future, offering a link to a diet supplements website, or god forbid, a cheap source for Viagra – I can assure you that it was not really from me.

…and tell sad stories of the deaths of kings — and commoners too, for that matter. The great William Shakespeare wrote many such sad stories, some of them more protracted and dramatic than others, some of them mercifully taking place offstage, as it were. The other night we watched the current episode of Downton Abbey, and even though we knew it was coming, we did sniffle a little at the shocking death of Lady Sybil – in childbirth, too. Whereas this was a tragically common cause of death in women of high and low social stature alike up until the end of the 19th century, it probably took real effort on the part of the writers to have it happen convincingly in the 20th – even the first quarter thereof. I’ll give the writers all props for creative research and as extra round of appreciation for avoiding the old soap-opera standby of a long fall down a staircase (although in fairness, they have hit upon a good few classic soap opera memes).

This also brought me to think on how many times I had to go into books, or perform a routine googlectomy in looking for just that very means of afflicting or removing one of my own characters. Which did turn out to be a fairly substantial list of conditions, ailments and cause-of-death, although some of them happened off-stage, so to speak or were referred to only briefly, while others had more detailed treatment. Let’s see: To Truckee’s Trail – threatened and actual near-starvation, malaria (called the ague) and cholera, both offstage before and after the time of the story. The Gathering – gunshot to the head, typhus (called ship-fever), malaria again, aftereffects of frontline meatball surgery in wartime, cholera again, and hints of manic-depression. The Sowing – more manic-depression, post-traumatic stress, pre-eclampsia, diphtheria, chronic alcohol abuse, gunshot to the back, multiple gunshots to the torso, and multiple sclerosis. The Harvesting; full-blown manic-depression, agoraphobia, more post-traumatic stress, incipient senility, stroke, peritonitis following abdominal wound with a bladed weapon, gunshot to the abdomen, drowning, and sudden massive heart attack/heart failure. Daughter of Texas: immediately fatal arrow-wounds, unspecified chronic illness, extreme dysentery coupled with heart failure, meatball surgery, and tuberculosis … plus, a war going on. Deep in the Heart: multiple sclerosis, post-traumatic shock, uncomplicated pregnancy and delivery, massive stroke, again aftereffects of frontline meatball surgery, and malaria. Plus another war going on. So far in the latest book, Quivera Trail, I have only gotten up to a massive heart attack, but there is an operation for a depressed skull fracture in my plot outline, so I really should get back to work on that.

This listing actually makes it look as if it it is wall to wall General Hospital-type soap opera medical emergencies in the books, but actually it isn’t. It’s just that illness and death is a part of life – and in the 19th century, it happened with really dismaying frequency. Considering that Daughter of Texas/Deep in the Heart and the Trilogy cover more than fifty years of the lives of four different families, during three wars, and at a time when the best of doctors couldn’t do all that much … this list could have been much, much longer.