16. May 2017 · Comments Off on Another Vintage Costume Project · Categories: Book Event, Domestic

Now that Luna City IV is to the point where I can take a bit of a breath (it’s available as of this week, in Kindle and Nook and other ebook formats, and in print by the end of the month) and plunge into another vintage outfit project. Yes, back in early winter, I took full advantage of Butterick having a pattern sale, whereby for the space of a week or so, all the costume patterns were marked down to about $2.00 each, from their regular price of … considerably more than that. Quick like a bargain hunter, I was on to that, and bought one in my size of every 19th century outfit that I thought I might eventually make, although I gave a miss to the pattern for the Jane Austen high-waisted Empire dress and cropped jacket. Sorry, although that meet my criteria of having a toe-length hem and without a hoop-skirt the size of half of Texas, that look would not flatter me in any way, shape, or form. Indeed – the Empire-style dress does not flatter any woman who is not an anorectic and flat-chested ballet dancer. None of my books so far are set in that era, anyway.

Cotton summer dress

Cotton summer dress

The version I made of this dress in light cotton calico was such a wild success at the last month’s Texas Library Association conference, that I began thinking that I ought to work on another cotton dress, since there are a couple of summer and/or outdoors events coming up. My four other extant outfits are all suits, and in rayon, wool and/or poly-wool – too hot to wear in the Texas summer, even at an indoor venue. This pattern – for an Edwardian day dress, with the gathered front and lace-trimmed yoke looked like a good addition to the vintage wardrobe. I picked up a length of medium-weight cotton shirting materiel in an interesting light violet color, thinking that I would have no problem matching the color … and then I realized the whole dress is fully-lined. And … I could find nothing at the local outlets which came close to matching the pale blueish-violet color, so out went my original scheme; violet dress with a paler violet yoke overlaid with white or cream-color lace, and darker violet belt and hat and accessories to match. Nope – as I said to the kind sales associate at the cutting counter – if you can’t match, then contrast!

So, the eventual outfit will be in the pale blue-violet fabric, with black lace and black satin trim, black satin belt and flamboyant hat made from whatever is left over to match. I may have it done in time to wear to the Wimberley Book Festival next month – but if not, then to certain of the other upcoming events.

14. May 2017 · Comments Off on Elsie the Cow and the Alamo · Categories: Domestic, Old West

Elsie the Contented Cow was created in 1936 first as a cartoon corporate logo for the Borden food products line; a little brown Jersey cow with a daisy-chain necklace and a charming anthropomorphic smile. Three years later, a live cow was purchased from a dairy farm in Connecticut to demonstrate (along with several other likely heifers) the Borden Dairy Company-invented rotary milking parlor – the dairy barn of the future! in the Borden exhibit at the 1939 World’s Fair. The live Elsie, originally named You’ll Do Lobelia (no, I did not make up this bit) came about because an overwhelming number of visitors to the exhibit kept asking which of the demo-cows was Elsie. Of the cows in the show, You’ll Do Lobelia was, the keeper and administrator of the dairy barn agreed – the most charming and personable of the demonstration cows, especially for a generation of Americans who had moved on from a life of rural agriculture and likely never laid eyes on a real, live cow. So, Lobelia/Elsie was drafted into service for commercial interest (much as young American males were being drafted at about the same time for military service). Elsie, her assorted offspring, spouse (Elmer the Bull – the corporate face of Elmer’s Glue) and her successors continued as the public face, as it were – for the Borden Dairy Company, appearing in a movie, even – and the Macy’s department store window, where she gave birth to one of her calves. Her countenance adorns the labels of Eagle Brand condensed milk to this day.

But what – one might reasonably ask – has Elsie the Cow have to do with the Alamo?

There were cows in the Alamo – or at least, at the start of the 1836 siege. William Travis’ open letter from the Alamo, written as Santa Anna’s army invested the hastily-fortified old mission on the outskirts of San Antonio, included a hasty scribbled post-script. “The Lord is on our side—When the enemy appeared in sight we had not three bushels of corn—We have since found in deserted houses 80 or 90 bushels & got into the walls 20 or 30 head of Beeves.” A facsimile of the letter – a plea for immediate assistance – was printed at once, and published by the two major Texas newspapers of the time: the Texas Republican, and the Telegraph and Texas Register.
The Telegraph and Texas Register was owned by a partnership; a long-time settler in San Felipe de Austin named Joseph Baker, and a pair of brothers, originally from New York – John Petit Borden and Gail Borden, who served as editor, although his previous profession had been as surveyor and schoolteacher. Baker and the Bordens published their first issue almost the minute that revolution broke out in Texas, with the “Come and Take It” fight at Gonzales in late autumn, and subsequent issues of the Register covered the various issues and controversies in the mad scramble that was the Texas Revolution. And scramble meant literally – for by early spring, the Telegraph was the only functioning newspaper in Texas. John Borden left to join the fledgling Texas Army, and a third brother, Thomas, took his place in the partnership. On March 30th, the Borden brothers and their partner disassembled their press and evacuated San Felipe with the Texian rear guard, a short distance ahead of the advancing Mexican Army. They set up the press in Harrisburg two weeks later, and just as they were about to go to press with new issue – the Mexican Army caught up to them. The soldiers threw the press and type into the nearest bayou and arrested the publishers. Fortunately, the Bordens did not remain long in durance vile, for in another week, Sam Houston’s rag-tag army finally prevailed.

Gail Borden was still raring to go in the newspaper business, and mortgaged his Texas lands to buy a replacement press. The Telegraph resumed publication in late 1836, first in Columbia, and then in Houston – but on a shoe-string. The Borden brothers had sold their interest in the newspaper by the following year, and Gail Borden moved into politics, serving as Collector of Customs at Galveston, and from there into real estate, before developing an interest in – of all things, food preservation. His first essay was a sort of long-lasting dehydrated beef product, called a “meat biscuit”. The product won a prize at the 1851 London World’s Fair, and proved to be popular with travelers heading to California for the Gold Rush, and with Arctic explorers – but the US Army – which Borden had been counting on for a contract to supply meat biscuits – was not enthused, which left Gail Borden casting around for another likely product. There was a great concern at the time with the contamination of milk, especially in cities, especially since diseased cows could pass on a fatal ailment in their milk.
It took Gail Borden three years of experimenting, developing a vacuum process to condense fresh milk so that it could be canned and preserved. After a couple of rocky years, Gail Borden met by chance with an angel investor, who saw the utility of Borden’s process, and had the funds to back an enterprise called The New York Condensed Milk Company. Although Borden developed processes to condense fruit juices and other food products, milk was and continued to be their best-seller, especially when the Civil War broke out, and demand for the product rocketed into the stratosphere. By the time that he died, in 1874 – back in Texas and in a town named Borden, after him – no one could deny that he had not been wildly successful as an inventor and innovator.
In 1899, the New York Condensed Milk Company formally changed its name to the Borden Condensed Milk Company, to honor their founder. (There have been a number of rejiggering of company names since – currently the Elsie logo appears on the Eagle brand of condensed milk, through corporate machinations too convoluted to explain here, if anyone even would be interested.)
And that, people, is how Elsie the Contented Cow is connected to the Alamo.

Fire engine appearing by courtesy of the Giddings VFD – The latest installation should be out by the middle of May!

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02. May 2017 · Comments Off on Perfect Rotisserie Chicken · Categories: Domestic

Since the regular oven died the death a couple of years ago, we have been using a countertop version with a convection and rotisserie option – which functions I have to say come in quite handy. It will be a while until we can have the Chambers stove renovated and checked for safety issues, since it is a gas model, and have the kitchen renovated to accommodate it. In the mean time, in between time – the countertop model gets a good workout. I confess that I don’t really miss a full-size oven, save when it comes to baking a pizza larger than about twelve inches. But since my daughter is in California helping with extended family matters for another few months … it’s not like I need a big pizza for supper anyway.

I have been giving the rotisserie function a workout whenever I have a whole fryer chicken from Granzins’ and a hankering for various meals using leftover rotisserie chicken. (There are numerous recipes for this ingredient, besides using it in crepes, and for chicken salad.) There are several tricks to getting a well-rotisseried chicken from this little oven – and one of the first is to stuff a whole lemon into the body cavity, and ram the skewer through it. The second is to use cooking string, or silicone ties; one around the drumsticks to secure them to the rotating skewer, and another to keep the wings tight to the body of the chicken. As the chicken cooks, it softens … and begins to flop all over the place. The lemon and the ties keep it all neat and compact as it cooks.

With this chicken, I got adventurous: I had a whole small orange with no particular purpose in mind for it – so that was what I used instead of a lemon. But I marinated the chicken for most of a day in a zip-lock bag, in about a quarter of a cup of lemon juice and a teaspoon of Adams Extract Citrus Siracha spice blend. Yes – the Adams Extract series of spices are another one of our local Texas industries branching out. Small-to-medium sized business, experimenting with bold flavors, rather like Fischer and Weiser with their sauces and jams. Both these brands are carried by the regional HEB chain – and both are absolutely freaking marvelous. One of the big HEB outlets has a food demo counter, where we first sampled some foods cooked with Adams Extract spice mixtures. Once a year, they have a BOGO sale at the HEB. As the regular selling price is not … well, this is not cheap stuff, let me tell you. But even so, they are worth it! But the BOGO event was not to be missed – so a bottle of one spice rub mix that we love and were running short of, and one … that I took a chance on; Citrus Siracha.

Once marinated, I took the chicken out of the plastic bag, dried it off, rubbed another teaspoon of Citrus Siracha on it, moistened with a bit of olive oil, and set it to rotisserie for two to three hours at 350. I could have used more Citrus Siracha – up to the tablespoon, I think, but I didn’t want to take a chance on making it unbearably hot the first time out. But it came out perfect; so tender it about fell off the bone, the skin crispy and mildly spicy. Tonight – chicken fajitas with some of the cooked meat, and tomorrow … who knows?

29. April 2017 · Comments Off on Up to the Minute · Categories: Uncategorized

So, I have been a little … absent from the blogs for the last week or two. There are only so many hours to the day, and I have been caught up in finishing Luna City IV, for publication at mid-May, formally to be launched at the Wimberley Book Festival on the second Saturday in June. Which book is actually a little ahead of schedule; I had thought it would be completed in another month, so I am running ahead of the self-imposed schedule – even with a couple of Tiny Publishing Bidness projects to spend time upon.

This will give me a head start on the sequel to Lone Star Sons, which I hope to have done in time for the Christmas marketing season. Rather like I had hoped for The Golden Road, only what with one thing and another, that particular book missed all but one day of the Christmas marketing season and that one day was a bloody, cold, wind-whipped disaster. Plus, in that wind-whipped disaster, I lost the information for the one person who had paid to order a copy in advance. (Sorry – please PM if you are that person, still looking for your pre-paid copy! Give me the date and place where you ordered it! You’re a fan, and I OWE you a copy!)

Other than that – real life, the garden, the dogs and cats and chickens. Last month’s project was the construction of a set of gates, a lattice gate to keep the chickens in the back garden, and another at the front of the property, to allow a long open garden along the sheltered and south-facing side of the house, dedicated to flowers and vegetables. Plants in the ground, plants in pots along one side, a couple of lattices now half-covered with pole bean vines and lemon cucumbers, and a long bed of native plants and a pair of tomato trees along the other. All of these projects take time, either out in the garden or chained to a hot computer – but I have hopes of both paying back bountifully over the remainder of this year.

The low lattice fence at the back of the house

The low lattice fence at the back of the house