A bit ago, I wrote about continuing stories, and one of the books of mine that I touched on was the story of the two cousins during WWII, Peg Becker Moorehouse and Vennie Stoneman Vexler in My Dear Cousin. The whole concept came to me in a dream, which is not a totally eccentric way to get a notion for a book, but one which has only happened once to me. But it was the one set of lives that I thought there might be a continuation for past the limits of an accounting of their lives before and during the war. That book ended on an optimistic note, with Vennie married to her perfect Mr. Darcy, and Peg and her children reunited with her husband, a prisoner of war by the Japanese.

There aren’t really happy endings in real life, I think – only happy intervals and if we are fortunate, those intervals are long ones. Otherwise, our lives are a sequence of dark and bright. As it happens, the end of the Second World War was one of those illuminated periods, although for some parts of the world there was just more of the same but with a different cast of characters after the summer of 1945. The Iron Curtain slammed down across eastern Europe, the survivors of the Holocaust fought to continue living in a sliver of a new nation in the ancient land of Israel, India was violently partitioned, and Communist-led and inspired insurrections or civil wars broke out across the Far East almost as soon as the ink on the Japanese surrender was dry.

When I looked at a couple of my books, speculating on possible but unwritten aftermaths, one of those speculations touched on the characters in My Dear Cousin. I wondered if Vennie would really adjust and be happy in the role of a stay-at-home faculty wife to an academic. After all, she had been raised on a rural ranch, trained and worked as a nurse, and had an adventurous war as a military nurse … would she really make a successful marriage to the product of a wealthy, and worldly East coast urbanite? I speculated that it would take a long adjustment time for that to happen. Perhaps they would separate for a time, and she would return to nursing,  rejoining the Army  as a military nurse in Korea.

The real-life couple whose experiences I based some of Peg and Tommy’s experiences in wartime Singapore and Malaya returned to their rubber plantation after the war – but eventually had to leave Malaya, when the Communist insurgency there made life too dangerous for their family to stay. I thought that Peg and Tommy, being from the same kind of background – one having grown up managing a rubber plantation, and the other as part of a ranching family – would have no more than the usual post-war PTSD to ruffle their marriage. But they also would have to leave, and start again somewhere else, probably Australia.

Anyway – the prospect of continuing with a matched set of characters, and the same concept of letters back and forth – is still in the formulative stage, but it is intriguing to construct: two different theaters, wracked by war and unrest, two women trying to cope and make sense out of it all. A historic irony to this is that in Malaya, the local Communist insurgents had been allies of the British, and supported by them during the war, while at the same time Korea had been unwilling allies of the Japanese. It has been reported that often the most brutal guards of Allied prisoners in the Far East were Korean draftees in the Japanese Army.

I’m just toying with the concept for now – I have two other books simmering on the burners for now – the final Luna City installment, and the Gold Rush YA sequel to West Towards the Sunset – but it’s not me, unless I have several projects all going at once…