My daughter and I began watching this Britbox series last week: Living the Dream, about an English family locating to Florida to run an RV park, full of eccentric characters. The show only had a short run of two abbreviated seasons and doesn’t seem to have racked up much awareness but we have enjoyed it immensely, because of the ‘fish out of water’ aspect, and because all the characters, even just the secondary characters appear to have lives of their own, and are quirky and endearing.  I don’t know if it’s because the writing for the series is intelligent, funny, and mostly avoided making vicious caricatures of Americans, the South, and Floridians generally, although given every opportunity to do so.  There really aren’t any big name stars among the cast, either, although most seem to have had long and relatively unspectacular careers playing character roles in various TV series in the US and Britain; solid professionals, every one, who appeared to to have enjoyed themselves enormously filming on location in Florida.

This brought on some thoughts about how certain TV series and movies manage to give us the impression that even minor characters have fully-rounded lives – that they are just not walking on for the sake of supplying lines or plot points to the main characters. Some small quirk or quality hints at that aspect. I don’t know if it can be attributed to the screenwriting, or perhaps the skill of the actor in coming up with little bits of business that establish that individuality even in a small part, but it is there in some movies and shows, and absent in others. The first time I was made aware of this was in one of the extra features to a recent DVD of Breakfast at Tiffany’s; an examination of the crowded party scene in Holly Golightly’s apartment. One of the extras involved explained how long it took to film that scene and dropped the information that all the bit players involved had worked out all kinds of mini-dramas, played out as the camera glided past. Not just the party scene, but this also held out for the staff of the on-screen Tiffany’s; one had the sense that each person there had a life with a lot going on in it … but there was just this quick interaction with the customers, posing a slight interruption of that life.

In a way, this kind of creative character-building is right up my alley, what with the cast of characters in the Luna City series. With forty or more minor characters, who rotate in an out of focus, there is so much scope for making them individual by telling a story focused on an aspect of their life, present and past. It’s a heck of a lot easer with an omnibus epic like Luna City – giving small characters their own lives.